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Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.

Guy Maddin

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Guy Maddin
Age: 68
Born: 1956
Born: February 28
Actor
Camera Operator
Cinematographer
Film Director
Film Producer
Screenwriter
Winnipeg
Manitoba
Still
Dancers
Really
Ballet
Things
Dancer
Taught
Stand
Moving
Making
Stills

More quotes by Guy Maddin

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I like going out to popcorn-munchers.
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I wandered around in a confused daze for most of the '90s unable to even remember why I wanted to be a filmmaker and somehow I found myself at the turn of the century. I used lost film as an excuse to express myself.
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You also convert real memories, whatever that means, into film versions of those memories. Because by the time you've finished the project you can't remember the real memories anymore, you just remember the film versions of them. And then if the film failed you have distaste for them. So I don't think about that stuff anymore.
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No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
Guy Maddin
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I've never made movies to reach millions of people.
Guy Maddin
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I literally designed and built the sets myself, and I kind of liked it. I always gave myself eight weeks to do that - sometimes even 10 - and the shooting took five or six weeks.
Guy Maddin
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I went to see Chicago after I finished shooting, and say what you want about it, but that thing was so meticulously planned. It was planned like NASA planned its trips to the moon. It made me feel like some sort of horrible dilettante.
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Those are my goals, you know. To be smart, tasteless, and feeling. Something to shoot for.
Guy Maddin
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I probably live in the best province for independent filmmakers. Manitoba has a sort of thieving-magpie approach, trying to lift productions from other provinces as well as from other countries. It makes it very hard for me to leave.
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If I want to keep making films for a few more years, I probably should be willing to adapt. I've sort of evolved into the filmmaker that I am because of natural selection anyway.
Guy Maddin
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I've long believed that anybody who is in the act of remembering childhood is a poet, because you're thinking back on times when you were making false models of the universe. Everything is kind of irrational and poetic then.
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When I started making films I just decided I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies. But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.
Guy Maddin
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Hollywood isn't exactly dragging me, or even aware of me.
Guy Maddin
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I feel the need to chastise myself. A movie that's a partial musical, full-on melodrama, should require a tremendous amount of planning.
Guy Maddin
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In many relationships that I've had people just try to own the other person.
Guy Maddin
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But in the act of attempting to imitate I discovered that I had a voice of my own. Whether I liked it or not was another matter. I found that I was my best or that I pleased myself most or came closest to my goals when I was tapped into something autobiographical.
Guy Maddin
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Older recordings just seemed to take me somewhere into my own pre-history. That's always been an interesting, sort of sphinx-like territory for me to wander around in.
Guy Maddin
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I'm a nervous wreck. If it's a 20-day shoot, at lunchtime on the first day, I'm thinking Only 19 and a half days to go... I can make it!
Guy Maddin
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I love melodrama. I love the simple fact. When you read Euripides he's a page turner. It's like reading a Mexican comic book romance.
Guy Maddin
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The bone-breaking thing is something that I put in many narratives.
Guy Maddin