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One mustn't always believe that feeling is everything. In the arts, it is nothing without form.
Gustave Flaubert
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Gustave Flaubert
Age: 58 †
Born: 1821
Born: December 12
Died: 1880
Died: May 8
Novelist
Writer
Flaubert
Without
Mustn
Nothing
Arts
Believe
Feeling
Always
Literature
Feelings
Art
Form
Everything
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I go from exasperation to a state of collapse, then I recover and go from prostration to Fury, so that my average state is one of being annoyed.
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Me and my books in the same apartment, like a gherkin in its vinegar.
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Writing this book I am like a man playing the piano with lead balls attached to his knuckles.
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He dreamed of funeral love, but dreams crumble and the tomb abides
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Concern for morality makes every work of the imagination false and stupid.
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For some men, the stronger their desire, the more difficult it is for them to act.
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The artist must be in his work as God is in creation, invisible and all-powerful one must sense him everywhere but never see him.
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For every bourgeois, in the heat of youth, if only for a day, for a minute, has believed himself capable of immense passions, of heroic enterprises. The most mediocre libertine has dreamed of oriental princesses every rotary carries about inside him the debris of a poet.
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It is always sad to leave a place to which one knows one will never return.
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To be stupid, selfish, and have good health are three requirements for happiness, though if stupidity is lacking, all is lost.
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What an elder sees sitting the young can't see standing.
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On certain occasions art can shake very ordinary spirits, and whole worlds can be revealed by its clumsiest interpreters.
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Talent is a long patience.
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Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in order to live.
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The principal thing in the world is to keep the soul aloft.
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As for the piano, the faster her fingers flew over it, the more he marveled. She struck the keys with aplomb and ran from one end of the keyboard to the other without a stop.
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A good sentence in prose should be like a good line in poetry, unchangeable, as rhythmic, as sonorous.
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The faster the word sticks to the thought, the more beautiful is the effect.
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[The artist] is like a pump he has inside him a great pipe that reaches down into the entrails of things, the deepest layers. He sucks up what was lying there below, dim and unnoticed, and brings it in great jets to the sunlight.
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