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I'm going in a really weird I-don't-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.

Gus Van Sant

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Gus Van Sant
Age: 72
Born: 1952
Born: July 24
Actor
Director
Film Director
Film Editor
Film Producer
Musician
Photographer
Screenwriter
Louisville
Kentucky
Gus Greene Van Sant Junior
Become
Anything
Different
Going
Really
Standardized
Prefer
Weird
Direction

More quotes by Gus Van Sant

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If it were up to the executives, they probably wouldn't have directors at all.
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I knew about Heatmiser, and I saw them one time at Pine Street [later changed to La Luna], which was the center of a lot of alternative bands during the 80s. But I didn't really know too much about their music.
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I think that in some cases, I've made films that have a sentimental quality, at least as part of the film.
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The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
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I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.
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There is a common theme, though, in the stories I have told, which are usually associations of characters or families that are formed outside of a family circle.
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Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
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No construction stiff working overtime takes more stress and straining than we did just to stay high.
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Usually when I read something, first of all I'm looking for the story and then when I reread it, I'm sort of checking every part of it to see if every scene is necessary.
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The biopic also wasn't a form that I necessarily believed in, because you can never really get it right, you know? It's also a form that's very popular - the straight-ahead biopic.
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There is a way that a younger person can accept the inevitable problem that they're going to die, whereas somebody a little bit older might be overcome.
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I'd come into filmmaking as a painter so, for me, making 'Good Will Hunting' was experimental because I didn't know how to do it.
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I'm not being analytical. I just create everything intuitively. If you're too analytical, what you're doing probably ends up being too specific.
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When I grew up in the '60s, we were actually dominated by this, you know, sort of conforming '50s culture, even though we were like trying to express our own culture, like, the dominant culture was the thing that was forming us. And I think that that's true today.
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In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
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I'm normally drawn to something I haven't done and seen before.
Gus Van Sant
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I used to take photographs just to remember people.
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I was once a shameless, full-time dope fiend.
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If a movie isn't released, it's one thing, but if you know it will be, it's nice to have closure and see it come out.
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If you don't have the story and the unfolding of the trajectory of the saga, it's like getting in a car and not having any gas.
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