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Wong Kar-Wai is a really great inspiration. He's always referred to as the Jimi Hendrix of filmmaking.

Gus Van Sant

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Gus Van Sant
Age: 72
Born: 1952
Born: July 24
Actor
Director
Film Director
Film Editor
Film Producer
Musician
Photographer
Screenwriter
Louisville
Kentucky
Gus Greene Van Sant Junior
Jimi
Hendrix
Referred
Inspiration
Great
Really
Always
Wong

More quotes by Gus Van Sant

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I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.
Gus Van Sant
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Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
Gus Van Sant
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Narcotics have been systematically scapegoated and demonized. The idea that anyone can use drugs and escape a horrible fate is ananathema to these idiots. I predict that in the near future, right wingers will use drug hysteria as a pretext to set up an international police apparatus.
Gus Van Sant
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Modern-day cinema takes the form of a sermon. You don't get to think, you only get to receive information.
Gus Van Sant
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When you're on a film and you're doubting something, it's usually because you don't think the audience is going to like it.
Gus Van Sant
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There is a common theme, though, in the stories I have told, which are usually associations of characters or families that are formed outside of a family circle.
Gus Van Sant
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The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
Gus Van Sant
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The artist himself is actually the subject in everything after, say, 1900. Eventually, art becomes so removed from the community that you have to know about the artist before you can even look at the painting, because there is a conceptual idea going on.
Gus Van Sant
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I think that in some cases, I've made films that have a sentimental quality, at least as part of the film.
Gus Van Sant
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Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights we never really adjusted.
Gus Van Sant
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The rules of suspense are that you do know, and you just don't know when. In the Hitchcock rules of suspense, you are supposed to know that there is a bomb on the bus that might blow up, and then it becomes very tense - but if you don't know that there's a bomb and it just blows up, then it's just a surprise.
Gus Van Sant
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I have this new theory about films. It's almost like astrology, where if we started on a Tuesday the film will be different than if we started on a Wednesday. Not because of the planets. It's that sometimes you start with the wrong balance and the whole thing gets messed up.
Gus Van Sant
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In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
Gus Van Sant
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Yeah, I try to be really calm.
Gus Van Sant
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Everything's changing so fast that it's sometimes hard to keep up.
Gus Van Sant
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A lot of times, you're not necessarily off the page because you haven't been able to take the time to prepare a character. It's very easy to find even great actors reading it more like a reading. Things aren't really coming alive yet, even though you know they will.
Gus Van Sant
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I mean, I think I'm pretty sentimental.
Gus Van Sant
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For all the boredom the straight life brings, it's not too bad.
Gus Van Sant
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I used to take photographs just to remember people.
Gus Van Sant
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If it were up to the executives, they probably wouldn't have directors at all.
Gus Van Sant