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I don't try to define the cosmos, I know it's unknowable, but I can understand my place in the world and my place in the universe through a mixture of Taoism, Catholicism, Zen or whatever I have at hand.

Guillermo del Toro

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Guillermo del Toro
Age: 60
Born: 1964
Born: October 9
Film Actor
Film Director
Film Producer
Novelist
Screenwriter
Television Actor
Television Producer
Guadalajara
México
Understand
Mixtures
Place
Catholicism
Hands
Taoism
Trying
Cosmos
World
Define
Hand
Whatever
Unknowable
Universe
Mixture

More quotes by Guillermo del Toro

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You have to believe the magic to see it.
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I feel that your ambitions should always exceed the budget. That no matter what budget you're doing, you should be dreaming bigger than the budget you have, and then it's a matter of reigning it in to the reality. You try to make things count.
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I don't want to move over to Beverly Hills. My goal is to make the movies I want to make and support the people I want to support. That's it.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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Without context, things are not scary. Without context, like humor, horror doesn't work.
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There are times when you are in despair, because in order not to betray who you are, you don't compromise, you don't make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It's never been easy.
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With supernatural things, I have heard ghosts, but I've never seen ghosts. I do seek ghosts and I would love to see one, but I would crap my pants.
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You only find yourself when you disobey. Disobedience is the beginning of responsibility, I think.
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Survival often feels like an indignity.
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I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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You can always go back to not making any money, and then you get the freedom. And I'm going to continue doing it, because it really is a fantastic sense of liberation.
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If you get bored with nothing to do, you are not a writer ... We are in the business of reproducing reality from nothing. We are the biggest liars in the world, seeking truth.
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I'm a big fan of the Harry Potter books, but I'd love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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I believe in man. I believe in mankind, as the worst and the best that has happened to this world.
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The idea for me is that if the movie connects with you the way I want it to connect with you, you should be experiencing both the horror and the wonder as a child would. From a child's point of view. When we're kids, brutality registers differently than when we are adults. Because as adults, we get too used to violence.
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The reality is that I feel that fear is a very spiritual emotion.
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When you have the intuition that there is something which is there, but out of the reach of your physical world, art and religion are the only means to get to it.
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The other thing that I started doing for myself was, I went through my diary of ideas that I keep and made sure that the translation of the comic to the movie was good.
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My favorite novel in the world is Frankenstein. I'm going to misquote it horribly, but the monster says, I have such love in me, more than you can imagine. But, if I cannot provoke it, I will provoke fear.
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