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I think part of making movies is dealing with restrictions of freedom and budget. I'd rather deal with restrictions of budget. It's better to feel free within any budget.

Guillermo del Toro

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Guillermo del Toro
Age: 60
Born: 1964
Born: October 9
Film Actor
Film Director
Film Producer
Novelist
Screenwriter
Television Actor
Television Producer
Guadalajara
México
Making
Dealing
Part
Deal
Better
Deals
Feel
Movies
Feels
Within
Restrictions
Think
Rather
Restriction
Thinking
Freedom
Budget
Free
Budgets

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My life is a suitcase. I am the traveling Mexican.
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If you don't take it personally, the partnership between producers and directors is very intimate.
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When you see something or experience something extraordinary, you can't go back to normal... I think that that's the way I see the supernatural-as happening in mundane circumstances or to people who are unprepared.
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Without context, things are not scary. Without context, like humor, horror doesn't work.
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You can only be a good father in relationship to your childhood.
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You have to believe the magic to see it.
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I think when you get all the money and all the freedom, rarely do you get a good movie out of it or a movie that you're proud of.
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You think if you work hard enough, you can fix the precious things you've broken - rather than being careful with them in the first place.
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If at age 10 I say there are monsters in the basement and they don't believe it, I would have stayed in that house. My father would have said Shut up and get to your room. So I thought the only sanctioned tyranny in the world is parenthood and everybody goes Yeah. It's a dictatorship - parenthood.
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People tend to think that big things only happen to big people ... I think that is not true. The small decisions we make every day define who we are and define the world around us. ... But I bet to you there is a decision every day in your life where you affect somebody else.
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I am the nice adversary, the guy that's going to ask the tough questions and is not going to be happy with the quick answer.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
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I'm the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I'd like to be there.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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The other thing that I started doing for myself was, I went through my diary of ideas that I keep and made sure that the translation of the comic to the movie was good.
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It's the difference between a parable and a pamphlet. A parable discusses things that are relevant in the past, the future, and the present - regardless of the outcome in the present. A pamphlet, on the other hand, is completely concerned with affecting an outcome in the present, the most immediate present.
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The movies that I do are in love with cinema, and I try to show that I am in love with cinema. I want them to be, in other ways, drinking from other sources.
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For Devil's Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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Genius is the true mystery, and at its edge--the abyss.
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