Quote

I'm a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It's a change in me.

Guillermo del Toro

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Guillermo del Toro
Age: 60
Born: 1964
Born: October 9
Film Actor
Film Director
Film Producer
Novelist
Screenwriter
Television Actor
Television Producer
Guadalajara
México
Stills
Movement
Change
Lasts
Used
Last
Still
Actors
Find
Show
Precision
Way
Found
Nazi
Shows
Projects
Three
Comfort

More quotes by Guillermo del Toro

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I'm the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I'd like to be there.
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Survival often feels like an indignity.
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It's the difference between a parable and a pamphlet. A parable discusses things that are relevant in the past, the future, and the present - regardless of the outcome in the present. A pamphlet, on the other hand, is completely concerned with affecting an outcome in the present, the most immediate present.
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You only find yourself when you disobey. Disobedience is the beginning of responsibility, I think.
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Oliver Stone will never be happy with the first take. He wants more than that. When you’re delivering your lines, he’ll stop you and tell you some kind of riddle about the character and you have to go away and figure that out. If you’re hoping for him to give you all the answers, then you’re in for a long day.
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I find I'm waking up really early now, just to read. Waking up at ungodly hours. But I try to keep up, religiously. When I was a kid, it used to be a book a day. Then a book a week. Now it's like a book every two weeks. But I read every day.
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I don't want to move over to Beverly Hills. My goal is to make the movies I want to make and support the people I want to support. That's it.
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What happens to me is that I am first and foremost a film geek.
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If film making is magic, there's a difference between close up magic and David Copperfield. If you're doing close up magic, which independent filmmakers do, it is a very delicate craft, interpersonal relationship, and being able to enrapture a very small audience.
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Genius is the true mystery, and at its edge--the abyss.
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It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
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When I see a short schedule, my question to the director is, are you really comfortable with this, or are you doing it to be a good boy? At the end, you only win the medal if the film is good, you don't win a medal if the movie is on time.
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When the monster has a dimension that allows you to humanize it, that's the route I usually want to go.
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You have to believe the magic to see it.
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I believe that pain can be a rite of passage into learning. I believe that the worse thing that can happen is the sin of banality and comfort. Those things are in my movies, but also my movies are quite the fruit of somebody who defines himself as an agnostic.
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Hellboy is the first movie where both ends of the spectrum are combined
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You think if you work hard enough, you can fix the precious things you've broken - rather than being careful with them in the first place.
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If you're doing a big spectacle film, you've got to be mindful of large masses. Even then, you've got to be responsible only to your storytelling.
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Even if one understands that what one is doing is mad, it is indeed still madness -
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
Guillermo del Toro