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The other thing that I started doing for myself was, I went through my diary of ideas that I keep and made sure that the translation of the comic to the movie was good.

Guillermo del Toro

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Guillermo del Toro
Age: 60
Born: 1964
Born: October 9
Film Actor
Film Director
Film Producer
Novelist
Screenwriter
Television Actor
Television Producer
Guadalajara
México
Sure
Translation
Keep
Translations
Ideas
Diaries
Thing
Comic
Made
Brilliant
Good
Started
Went
Movie
Diary

More quotes by Guillermo del Toro

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For Devil's Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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When you see something or experience something extraordinary, you can't go back to normal... I think that that's the way I see the supernatural-as happening in mundane circumstances or to people who are unprepared.
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With supernatural things, I have heard ghosts, but I've never seen ghosts. I do seek ghosts and I would love to see one, but I would crap my pants.
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The reality is that I feel that fear is a very spiritual emotion.
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If you can be that link to other people that came before you and the ones that come after, then you have to honor that link. If you are doing what somebody else tells you to do and you have success, it's horrible. And if you are doing what other people tell you to do and you fail, it's equally horrible.
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I think that during the shoot, you should never be there, unless something goes really wrong and as producer, you're responsible. The sign you did your job right is if you are not there.
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Oliver Stone will never be happy with the first take. He wants more than that. When you’re delivering your lines, he’ll stop you and tell you some kind of riddle about the character and you have to go away and figure that out. If you’re hoping for him to give you all the answers, then you’re in for a long day.
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The movies that I do are in love with cinema, and I try to show that I am in love with cinema. I want them to be, in other ways, drinking from other sources.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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When somebody says something I don't agree with, I say I'd rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, no. And that is the one word we have in common.
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I think when you get all the money and all the freedom, rarely do you get a good movie out of it or a movie that you're proud of.
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Films are fantastic - they are one of the peaks of human narrative. But I'm sorry to break the news to the movie industry: So is a video game.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
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I really believe that in the larger sense, not only today but at all times, you only find yourself when you disobey. Disobedience is the beginning of responsibility, I think.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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Without context, things are not scary. Without context, like humor, horror doesn't work.
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Never fly commercial. That's the moral of this story.
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You think if you work hard enough, you can fix the precious things you've broken - rather than being careful with them in the first place.
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When I see a short schedule, my question to the director is, are you really comfortable with this, or are you doing it to be a good boy? At the end, you only win the medal if the film is good, you don't win a medal if the movie is on time.
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If you don't take it personally, the partnership between producers and directors is very intimate.
Guillermo del Toro