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For Devil's Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.

Guillermo del Toro

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Guillermo del Toro
Age: 60
Born: 1964
Born: October 9
Film Actor
Film Director
Film Producer
Novelist
Screenwriter
Television Actor
Television Producer
Guadalajara
México
Backbone
Neurotic
Shoot
Devil
Loved
Felt
Pressured

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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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The movies that I do are in love with cinema, and I try to show that I am in love with cinema. I want them to be, in other ways, drinking from other sources.
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I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things
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I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.
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There are two types of producing deals, and I've had both. I've produced over 20 movies now. You are either watching in horror, as the cars take the curve in the grand prix, or you're enjoying it.
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The only thing you can do as an artist is to come to the world, see what no one is doing, and leave behind one or two things that wouldn’t have happened without you.
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You can always go back to not making any money, and then you get the freedom. And I'm going to continue doing it, because it really is a fantastic sense of liberation.
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You think if you work hard enough, you can fix the precious things you've broken - rather than being careful with them in the first place.
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There are times when you are in despair, because in order not to betray who you are, you don't compromise, you don't make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It's never been easy.
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Frankfurt, discussing a stuntman: He missed being killed in that shot be literally half an inch.
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Well I think effects are tools
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The butterfly does not look back upon its caterpillar self, either fondly or wistfully it simply flies on.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
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When you see something or experience something extraordinary, you can't go back to normal... I think that that's the way I see the supernatural-as happening in mundane circumstances or to people who are unprepared.
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Without context, things are not scary. Without context, like humor, horror doesn't work.
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As a child that was disenfranchised from everything, and that was in a world that was the wrong size, run by the wrong people, the wrong morale and the wrong rules, I felt completely outside of that, and I wanted some measure of control, and the measure of control I found was through fear.
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What happens to me is that I am first and foremost a film geek.
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Oliver Stone will never be happy with the first take. He wants more than that. When you’re delivering your lines, he’ll stop you and tell you some kind of riddle about the character and you have to go away and figure that out. If you’re hoping for him to give you all the answers, then you’re in for a long day.
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