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I like hair that's been 'worn in' because it's much easier to deal with.... I actually don't like it when [models] come in with this beautiful, thick, glossy hair. I think, Oh, no! I can't do a thing with this!

Guido Palau

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Guido Palau
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More quotes by Guido Palau

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I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls.
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Every culture to me - be it Asian, African, be it whatever - is a source of reference. I don't think I'm 'stealing' it or anything.
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Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel.
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Even though the industry is very big and there's lots of money, when it gets down to it, whether it's a photographer or a designer, as well as a stylist or makeup artist, you're really only working with maybe four or five people on a project. It's all quite small and intimate.
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I have a total complex [because of my curls], though, because I got teased a lot as a kid.
Guido Palau
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I think to many people, textured curls still signify 'difference.' And kids like to pick on what's different.
Guido Palau
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Beauty shouldn't be taken too seriously. Life is stressful enough! Hair should be creative and crazy.
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I think now because of this whole social media thing, people obviously felt these things [about cultural appropriation] before, and they comment on everything.
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Suddenly it was cool to have your hair lank . . . It was a whole different way of looking at things, and it shook up the whole industry.
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When I think of the people I've worked with, all of them have great passion, and the passion is what keeps people inspired.
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I celebrate every culture. I love the mix of cultures and I'm never going to change that because that's inspiring to me.
Guido Palau
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When you work with great people, you learn - about film, about clothing, about life, about sex.
Guido Palau
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I got into hairdressing and moved from Dorset to London, where I got an apprenticeship at Vidal Sassoon. This was around '83 or '84. I was working on South Molton Street, which was then the epicenter of all the shops. It was like a catwalk. So I did my apprenticeship there, but I wasn't successful.
Guido Palau
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I didn't do great in school. I didn't have many options. I mean, I'd like to have gone to art college, but I didn't have the grades. I didn't have any qualifications. But I had some friends who were hairdressers, so I just thought, Well, I'll have a go at it.
Guido Palau
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With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images.
Guido Palau
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Fashion was a very insider industry then - it was very closed. So I didn't really know what I wanted to do.
Guido Palau
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I'm not giving up on my work. I'm still trying to challenge people's aesthetics and myself.
Guido Palau
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It's hard to be shocking now. It's hard to challenge people because the Internet has allowed everyone to become much more worldly, much more visual. It's very hard to surprise people.
Guido Palau
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I worked in salons, where you do learn the basic sort of thing. But I didn't know anything about the kinds of things I'm doing now. I learned how to put hot-rollers in.
Guido Palau
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I must say, Gisele's [Bundhen] got some of the best hair I've ever touched.
Guido Palau