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I grew up with four brothers, and in the back of my head I feel pretty masculine. It's always funny when I hear recordings of my voice, because it's so deep when I hear it in my head.

Grimes

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Grimes
Age: 36
Born: 1988
Born: March 17
Blogger
Composer
Director
Manufacturer
Music Producer
Music Video Director
Musician
Painter
Singer
Songwriter
Vancouver
British Columbia
Claire Elise Boucher
Claire Boucher
Four
Masculine
Funny
Brothers
Voice
Brother
Back
Deep
Feel
Grew
Always
Pretty
Hear
Head
Recordings

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I like being behind the camera because I can control perception and what people see.
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Especially with music, people want confidence.
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I'm just very obsessed with Japanese stuff in general.
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Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.
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It takes me probably about four hours to get into the groove [with making music]. And it's really important for me to not break the groove.
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I approach music - and this sounds crazy - as though I'm Phil Spector, and I'm cranking out these pop stars and forcing them to do all this stuff - except they're all me. But I'm not, like, transgendered.
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As a producer, I'm trying to challenge myself to just make something that is of a professional quality - not necessarily pop music, but maybe in the sense that Nine Inch Nails is professional quality.
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If I think about what other people are thinking when I'm making music, I just can't do it. It's too withheld - I need to go totally over the top, and then kind of clean it up a bit and make it more reasonable after the fact.
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Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.
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I write music better in the winter, I prefer making music when it's dark.
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I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
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My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me witch house.
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Obviously, I like things that are cute and aggressive at the same time, but I didn't want it to just be mini-bangs and lip-syncing in a dress. I need to get away from that stuff.
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I like performing, but I usually get really sick when I'm on tour, and it's just hard.
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I can't censor myself it's really important for me to say how I feel.
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I can tell really early on in a painting if I'm going to toss it or not.
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I feel like vocals are to music what portraits are to painting. They're the humanity. Landscapes are good and fine, but at the end of the day everyone loves the Mona Lisa.
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I would never go to a studio. I need my space, you know what I mean? I need to be able to chain smoke and pace about, cry and like... spit. Just make noise, make a huge mess. I also feel like if I was concerned for the cost of the studio - like, 'this is costing 40 dollars an hour' - I wouldn't be able to work.
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I listen to a lot of medieval music.
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I don't even wear shoes with heels because I hate making a noise when I walk and people looking at me.
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