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I'm so sick of my own music that I don't know if I can edit another video, which involves hundreds of hours of listening to your own song again and again and again. It becomes so grating after a while.

Grimes

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Grimes
Age: 36
Born: 1988
Born: March 17
Blogger
Composer
Director
Manufacturer
Music Producer
Music Video Director
Musician
Painter
Singer
Songwriter
Vancouver
British Columbia
Claire Elise Boucher
Claire Boucher
Another
Involves
Music
Hundreds
Video
Sick
Listening
Becomes
Grating
Hours
Edit
Song
Edits

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Success, for me, is a song that can deliver shivers.
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I usually like to get people in because I don't have a band or anything. In cities where I have friends, I try to get them to come out and dance for me.
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I'm just very obsessed with Japanese stuff in general.
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I think the internet is kind of redefining what it is to be a teenager. Because there's a lot of media that's aimed at teenagers that other people are getting into. But, conversely, pornography or stuff that's intended for adults is completely readily available to anyone, like teenagers.
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It takes me probably about four hours to get into the groove [with making music]. And it's really important for me to not break the groove.
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Art gives me an outlet where I can be aggressive in a world where I usually can't be.
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I write music better in the winter, I prefer making music when it's dark.
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I grew up with four brothers, and in the back of my head I feel pretty masculine. It's always funny when I hear recordings of my voice, because it's so deep when I hear it in my head.
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Ugly girls generally don't become successful in music. And it sucks because it's a standard that just exists.
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I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
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When an artist, or whomever, moves from their scene to the bigger pond, it starts getting crazy, because all of a sudden people don't respect you, and you have to start being a lot more aggressive than you would normally be.
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Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.
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My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me witch house.
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Removing all stimulation around you is a really positive thing in terms of stimulating your creativity.
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I would never go to a studio. I need my space, you know what I mean? I need to be able to chain smoke and pace about, cry and like... spit. Just make noise, make a huge mess. I also feel like if I was concerned for the cost of the studio - like, 'this is costing 40 dollars an hour' - I wouldn't be able to work.
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I want to say my life inspires my lyrics, but I also try to abstract them as much as possible because I don't want to refer to my life explicitly. I'm definitely really embarrassed by my lyrics.
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The way that you present yourself visually totally dictates your audience and everything that anyone thinks about you.
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I don't think I know anyone who has a steady job in Montreal.
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By the time I'm 50, there is probably going to be a nuclear holocaust. I should just enjoy myself.
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