Quote

There was not one cause for our internment, but many - a deep-seated racial prejudice working on top of fear, distrust, and greed. So how is one to say exactly where history begins or ends? It is all slow oscillations, curves, and waves which take so long to reveal themselves ... like watching a tree grow.

Gretel Ehrlich

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Gretel Ehrlich
Age: 78
Born: 1946
Born: January 21
Essayist
Writer
Santa Barbara
California
Like
Causes
Wave
Racial
Working
Watching
Waves
History
Exactly
Reveal
Oscillations
Fear
Deep
Greed
Oscillation
Ends
Cause
Racism
Internment
Take
Grow
Slow
Seated
Many
Tree
Prejudice
Curves
Long
Grows
Begins
Distrust

More quotes by Gretel Ehrlich

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Between highway sounds I heard waves and thought how the curve of the coastline here had sheltered and nurtured live-born sharks, humans, and migrating whales. Here, at the edge of the continent, time and distance stopped in the lull between sets of waves I could get a fresh start.
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I like to think of the landscape not as a fixed place but as a path that is unwinding before my eyes, under my feet. To see and know a place is a contemplative act. It means emptying our minds and letting what is there, in all its mulitplicity and endless variety, come in.
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Leaves are verbs that conjugate the seasons.
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To trace the history of a river . . . is to trace the history of the soul, the history of the mind descending and arising in the body.
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True solace is finding none, which is to say, it is everywhere.
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Am I like the optimist who, while falling ten stories from a building, says at each story, I'm all right so far?
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Survival is as much a matter of grace as fight. The expression, 'grace under pressure' implies the attainment of equanimity and equilibrium. The fundamental durability of the human body surprises us because the pain can be so intense - yet pain is often transient and hides the tremendous effforts the body is engaged in to heal itself.
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I thought: to be tough is to be fragile to be tender is to be truly fierce.
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To long for love, to have experienced passion's deep pleasure, even once, is to understand the mercilessness of having a human body whose memory rides desire's back unanchored from season to season.
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A tree is an aerial garden, a botanical migration from the sea, from those earliest plants, the seaweeds it is a purchase on crumbled rock, on ground. The human, standing, is only a different upsweep and articulation of cells. How treelike we are, how human the tree.
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Islands are reminders of arrivals and departures.
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I understood why war zones are called 'theaters' because they frame a kind of play acting or, worse, deceit, that can stain a human life forever: the deceit of hate on hearsay - hating an enemy one doesn't know.
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To rise above treeline is to go above thought, and after, the descent back into bird song, bog orchids, willows, and firs is to sink into the preliterate parts of ourselves.
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Ritual which could entail a wedding or brushing one's teeth goes in the direction of life. Through it we reconcile our barbed solitude with rushing, irreducible conditions of life.
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Fog rolled in like a form of sorrow. To live exiled from a place you have known intimately is to experience sensory deprivation. A wide-awake coma. ... The sea was a memory bank into which everything fell and was lost. I dove in but came out empty-handed.
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How odd it is that sewing is thought to be 'women's work' when surgeons, sailors, and cowboys sew too. Yet how many female thoracic surgeons are there? And if precision motor activities are thought to be performed better by women, why wouldn't they make better surgeons too?
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Finally, the lessons of impermanence taught me this: loss constitutes an odd kind of fullness despair empties out into an unquenchable appetite for life.
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Walking is also an ambulation of mind.
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Perhaps despair is the only human sin.
Gretel Ehrlich
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It's no wonder human beings are so narcissistic. The way our ears are constructed, we can hear only what is right next to us or else the internal monologue inside.
Gretel Ehrlich