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I think the problem with growing up and idealizing self-destructive artists is that you only see the beauty they created rather than all the pain that went along with it.

Greta Gerwig

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Greta Gerwig
Age: 41
Born: 1983
Born: August 4
Actor
Actress
Film Actor
Film Director
Playwright
Screenwriter
Voice Actor
Writer
Sacramento
California
Greta Celeste Gerwig
Self
Along
Think
Went
Thinking
Growing
Beauty
Rather
Idealizing
Pain
Destructive
Artist
Artists
Problem
Created

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I don't do well when I don't work.
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Getting bad reviews or doing something thats not great is also really good for you as an actor. It also makes me feel as an actor that Ive earned my stripes a bit.
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When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
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I'm interested in the feeling of getting to zero after a play, like you're never going to do it again. That's a really scary feeling.
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The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
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You keep learning how to let go and to live the life that you actually have, as opposed to the life you thought you were going to have.
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I think when you're a teenager, you always feel as if life is happening somewhere else - it certainly isn't happening to you. And then you get to the place where you think your life is supposed to be, and you look around and realize it doesn't exist.
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I've never had a plan, I've always done things from instinct.
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I like things that look like mistakes.
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I'm far too middle-class to morally object to a paying job.
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I think any break-up from a long relationship has this accompanying feeling of who am I without this person. You feel like a half-person because you've integrated yourself into an idea of a couple for so long, and then teasing that out and finding out who you are without them, it just takes a while. It feels like an amputation.
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I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot.
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I had dreams, but I didn't have the sense that they would necessarily work out. They seemed very far-fetched.
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We would go down to Riverside, California, which is very poor now, but that's where my grandfather grew up. He grew up during the Depression in Riverside.
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I like movies about women behaving badly, because women behave badly just like men, and we're not always adorable and cute about it.
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I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.
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In relationships, you learn a million things. I'm sure a therapist can tell you about it.
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I didn't know the city at all, but I was so happy to be in New York I cried. I was so excited.
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I think I'm pretty committed to staying. I'm not committed to not doing big movies, but I am committed to continuing to make smaller movies, not for the sake of making smaller movies, but because I think it's really invigorating to just go work with people and know that it might be awful.
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Movies are now more often watched on the small screen anyway. But at least for me, what got lost in that is the difference in the medium.
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