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I think the problem with growing up and idealizing self-destructive artists is that you only see the beauty they created rather than all the pain that went along with it.

Greta Gerwig

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Greta Gerwig
Age: 41
Born: 1983
Born: August 4
Actor
Actress
Film Actor
Film Director
Playwright
Screenwriter
Voice Actor
Writer
Sacramento
California
Greta Celeste Gerwig
Thinking
Growing
Beauty
Rather
Idealizing
Pain
Destructive
Artist
Artists
Problem
Created
Self
Along
Think
Went

More quotes by Greta Gerwig

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I like things that look like mistakes.
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I think when you're a teenager, you always feel as if life is happening somewhere else - it certainly isn't happening to you. And then you get to the place where you think your life is supposed to be, and you look around and realize it doesn't exist.
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I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
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Using the energy in a scene can really cut the fat off of something and streamline it. It can make it work for you and activate it for you in a way.
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I'm not really capable of memorizing stuff without moving around, that's how I do it.
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I'm far too middle-class to morally object to a paying job.
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I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.
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I like movies about women behaving badly, because women behave badly just like men, and we're not always adorable and cute about it.
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Getting bad reviews or doing something thats not great is also really good for you as an actor. It also makes me feel as an actor that Ive earned my stripes a bit.
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I like people who love books and movies and art and want to talk about it all the time, because that's basically what I want to talk about. Intellectuals that are funny.
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I had dreams, but I didn't have the sense that they would necessarily work out. They seemed very far-fetched.
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I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.
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The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
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I feel like most people aren't either/or, they're both/and. You're both magnanimous and petty. You're both kind and cruel. You're never just one thing.
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We would go down to Riverside, California, which is very poor now, but that's where my grandfather grew up. He grew up during the Depression in Riverside.
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It feels like when I write, it's intuitive. This is true of Frances, and it's true of this [The Funniest Movie Of The Summer].
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I think I'm pretty committed to staying. I'm not committed to not doing big movies, but I am committed to continuing to make smaller movies, not for the sake of making smaller movies, but because I think it's really invigorating to just go work with people and know that it might be awful.
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I didn't know the city at all, but I was so happy to be in New York I cried. I was so excited.
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When I felt like I was looking down the barrel of nothing on the horizon it was hard for me.
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Movies are now more often watched on the small screen anyway. But at least for me, what got lost in that is the difference in the medium.
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