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I think the problem with growing up and idealizing self-destructive artists is that you only see the beauty they created rather than all the pain that went along with it.

Greta Gerwig

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Greta Gerwig
Age: 41
Born: 1983
Born: August 4
Actor
Actress
Film Actor
Film Director
Playwright
Screenwriter
Voice Actor
Writer
Sacramento
California
Greta Celeste Gerwig
Pain
Destructive
Artist
Artists
Problem
Created
Self
Along
Think
Went
Thinking
Growing
Beauty
Rather
Idealizing

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You keep learning how to let go and to live the life that you actually have, as opposed to the life you thought you were going to have.
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I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.
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I'm far too middle-class to morally object to a paying job.
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I think any break-up from a long relationship has this accompanying feeling of who am I without this person. You feel like a half-person because you've integrated yourself into an idea of a couple for so long, and then teasing that out and finding out who you are without them, it just takes a while. It feels like an amputation.
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I don't do well when I don't work.
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I can say I'm a relationship person, and I like relationships. I think I also like relationships because then you don't have to date because dating is horrible.
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I've never had a plan, I've always done things from instinct.
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It feels like when I write, it's intuitive. This is true of Frances, and it's true of this [The Funniest Movie Of The Summer].
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I’m not saying that everyone needs to be celibate, but you don’t need a romance to complete a story about a woman
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When I felt like I was looking down the barrel of nothing on the horizon it was hard for me.
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I like people who love books and movies and art and want to talk about it all the time, because that's basically what I want to talk about. Intellectuals that are funny.
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The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
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I love shooting in New York because I love the city. Ultimately, I like doing it there and the city is important to the story, but it can be hard to shoot where you live too because it is so all-absorbing.
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I didn't know the city at all, but I was so happy to be in New York I cried. I was so excited.
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When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
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I had dreams, but I didn't have the sense that they would necessarily work out. They seemed very far-fetched.
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I'm interested in the feeling of getting to zero after a play, like you're never going to do it again. That's a really scary feeling.
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I'm not really capable of memorizing stuff without moving around, that's how I do it.
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I feel like most people aren't either/or, they're both/and. You're both magnanimous and petty. You're both kind and cruel. You're never just one thing.
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In relationships, you learn a million things. I'm sure a therapist can tell you about it.
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