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I love shooting in New York because I love the city. Ultimately, I like doing it there and the city is important to the story, but it can be hard to shoot where you live too because it is so all-absorbing.

Greta Gerwig

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Greta Gerwig
Age: 41
Born: 1983
Born: August 4
Actor
Actress
Film Actor
Film Director
Playwright
Screenwriter
Voice Actor
Writer
Sacramento
California
Greta Celeste Gerwig
Stories
Absorbing
Live
Shoot
Hard
Shooting
Important
Ultimately
Love
York
Like
City
Cities
Story

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You keep learning how to let go and to live the life that you actually have, as opposed to the life you thought you were going to have.
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I think any break-up from a long relationship has this accompanying feeling of who am I without this person. You feel like a half-person because you've integrated yourself into an idea of a couple for so long, and then teasing that out and finding out who you are without them, it just takes a while. It feels like an amputation.
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I’m not saying that everyone needs to be celibate, but you don’t need a romance to complete a story about a woman
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I think I'm pretty committed to staying. I'm not committed to not doing big movies, but I am committed to continuing to make smaller movies, not for the sake of making smaller movies, but because I think it's really invigorating to just go work with people and know that it might be awful.
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I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
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I like things that look like mistakes.
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I'm far too middle-class to morally object to a paying job.
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There are a million little things, but one of the best ways to get to know characters is to just put them in situations and see what they say.
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I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.
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I feel like most people aren't either/or, they're both/and. You're both magnanimous and petty. You're both kind and cruel. You're never just one thing.
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I think the problem with growing up and idealizing self-destructive artists is that you only see the beauty they created rather than all the pain that went along with it.
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I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot.
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I didn't know the city at all, but I was so happy to be in New York I cried. I was so excited.
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When I felt like I was looking down the barrel of nothing on the horizon it was hard for me.
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When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
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We would go down to Riverside, California, which is very poor now, but that's where my grandfather grew up. He grew up during the Depression in Riverside.
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Using the energy in a scene can really cut the fat off of something and streamline it. It can make it work for you and activate it for you in a way.
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Getting bad reviews or doing something thats not great is also really good for you as an actor. It also makes me feel as an actor that Ive earned my stripes a bit.
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I can say I'm a relationship person, and I like relationships. I think I also like relationships because then you don't have to date because dating is horrible.
Greta Gerwig