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I love shooting in New York because I love the city. Ultimately, I like doing it there and the city is important to the story, but it can be hard to shoot where you live too because it is so all-absorbing.

Greta Gerwig

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Greta Gerwig
Age: 41
Born: 1983
Born: August 4
Actor
Actress
Film Actor
Film Director
Playwright
Screenwriter
Voice Actor
Writer
Sacramento
California
Greta Celeste Gerwig
Hard
Shooting
Important
Ultimately
Love
York
Like
City
Cities
Story
Stories
Absorbing
Live
Shoot

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We would go down to Riverside, California, which is very poor now, but that's where my grandfather grew up. He grew up during the Depression in Riverside.
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There are a million little things, but one of the best ways to get to know characters is to just put them in situations and see what they say.
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I didn't know the city at all, but I was so happy to be in New York I cried. I was so excited.
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It feels like when I write, it's intuitive. This is true of Frances, and it's true of this [The Funniest Movie Of The Summer].
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I like things that look like mistakes.
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You keep learning how to let go and to live the life that you actually have, as opposed to the life you thought you were going to have.
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I can say I'm a relationship person, and I like relationships. I think I also like relationships because then you don't have to date because dating is horrible.
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I'm interested in the feeling of getting to zero after a play, like you're never going to do it again. That's a really scary feeling.
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I think when you're a teenager, you always feel as if life is happening somewhere else - it certainly isn't happening to you. And then you get to the place where you think your life is supposed to be, and you look around and realize it doesn't exist.
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I've never had a plan, I've always done things from instinct.
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When I felt like I was looking down the barrel of nothing on the horizon it was hard for me.
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I feel like most people aren't either/or, they're both/and. You're both magnanimous and petty. You're both kind and cruel. You're never just one thing.
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Using the energy in a scene can really cut the fat off of something and streamline it. It can make it work for you and activate it for you in a way.
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The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
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I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot.
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I’m not saying that everyone needs to be celibate, but you don’t need a romance to complete a story about a woman
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I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
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I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.
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When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
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I don't do well when I don't work.
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