I always feel emotionally engaged in productions. If I ever get to the point where I don't feel emotionally engaged, maybe I should stop. You have to make each play an event. Whether that's star leading actors or the concept behind the production.

I have seen productions of Julius Caesar that set it in a modern, Western context and it just looks as though they're getting rid of a particularly cantankerous chairman of the board rather than the great leader of the world.

The list of potential candidates for Julius Caesar is quite large. You could go, Well, he's a Caesar. Idi Amin, or Bokassa in the Central African Empire, or in Zimbabwe, Robert Mugabe coming to power. They have all, at some point in their lives, been candidates for a casting as Julius Caesar.

There's a wonderful author named Can Themba, who said that Africa extends a fraternal handshake to Shakespeare. That William Shakespeare would have recognized Elizabethan England more readily in Africa today than in England today.