Quote

The whole reason I make these pictures is for those moments of clarity. For that single moment, everything seems to make sense in my world. And I think we all look for that in our lives, because our lives are generally filled with chaos and confusion and disorder and complication.

Gregory Crewdson

Change background

T
T
T

Change font

TAGS & TOPICS

Gregory Crewdson
Age: 62
Born: 1962
Born: September 26
Photographer
University Teacher
Brooklyn
New York
World
Reason
Chaos
Look
Filled
Everything
Single
Complication
Looks
Moment
Disorder
Whole
Lives
Clarity
Make
Sense
Confusion
Think
Moments
Pictures
Thinking
Seems
Generally

More quotes by Gregory Crewdson

Image
I really love that dynamic between beauty and sadness...theres always these moments of quiet alienation, the sense of disconnect, but also, these moments of possibility.
Gregory Crewdson
Image
My pictures are about everyday life combined with theatrical effect. I want them to feel outside of time, to take something routine and make it irrational. I’m always looking for a small moment that is a revelation
Gregory Crewdson
Image
My pictures must first be beautiful, but that beauty is not enough. I strive to convey an underlying edge of anxiety, of isolation, of fear.
Gregory Crewdson
Image
I have always been fascinated by the poetic condition of twilight. By its transformative quality. Its power of turning the ordinary into something magical and otherworldly. My wish is for the narrative in the pictures to work within that circumstance. It is that sense of in-between-ness that interests me.
Gregory Crewdson
Image
We all strive to find moments of clarity, of order.
Gregory Crewdson
Image
I don't deliberately look for something dark or bleak or disconnected, in fact that's not something I'm even conscious of in the work as I'm making it. I'm always trying to create beauty, reveal hope, show the sense of longing that exists in isolation and loneliness, and capture the search for something greater inside all of my subjects.
Gregory Crewdson
Image
Since a photograph is frozen and mute, since there is no before and after, I don't want there to be a conscious awareness of any kind of literal narrative. And that's why I really try not to pump up motivation or plot or anything like that.
Gregory Crewdson
Image
If my pictures are about anything at all, I think it's about trying to make a connection in the world. I see them as more optimistic in a certain way. Even though it's very clear there's a level of sadness and disconnection, I think that they're really about trying to make a connection and almost the impossibility of doing so.
Gregory Crewdson
Image
I want to privilege the moment.
Gregory Crewdson
Image
I'm very moved by the fact that people are drawn into the pictures and that they do bring their own history and their own interpretation to the photograph. I think that's why they work in a certain way.
Gregory Crewdson
Image
I’m interested in using the iconography of nature and the American landscape as surrogates or metaphors for psychological anxiety, fear or desire
Gregory Crewdson
Image
In Twilight, the narratives are more literal, and the event is much more spectacular. The pictures in Beneath the Roses are much more psychological and grounded in reality.
Gregory Crewdson
Image
My mom just recently reminded me that I used to build these little miniature worlds outside at our country house and populate it with little figures.That whole thing [shooting is] about trying to create a world - there's something very connected to childhood and reverie and daydreaming and fantasy.
Gregory Crewdson
Image
It is really important to have an obsessive need to construct something, to understand something from your own experience.
Gregory Crewdson
Image
I think that, in a sense, there's something about photography in general that we could associate with memory, or the past, or childhood.
Gregory Crewdson
Image
I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.
Gregory Crewdson
Image
All my pictures are very voyeuristic, but ultimately I'm looking at what lurks in my own interior. I make photographs because I want to answer the question of what propels me to do the things that I do. But that always remains a mystery.
Gregory Crewdson
Image
I never know what to call the subjects in my pictures because I'm uncomfortable with the word actor. I think maybe subjects might be more accurate - or maybe even more accurate is objects.
Gregory Crewdson
Image
The viewer is more likely to project their own narrative onto the picture.
Gregory Crewdson
Image
I think that's the nature of representation. No matter what it will disappoint, it will fail in some way.But that's also part of the magic of art. If every picture met my expectation in exactly the right way, there'd be no mystery there'd be no gap between what's in my head and the picture I make.
Gregory Crewdson