Quote

My pictures are about everyday life combined with theatrical effect. I want them to feel outside of time, to take something routine and make it irrational. I’m always looking for a small moment that is a revelation

Gregory Crewdson

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Gregory Crewdson
Age: 62
Born: 1962
Born: September 26
Photographer
University Teacher
Brooklyn
New York
Make
Small
Revelations
Always
Looking
Routine
Time
Moment
Pictures
Life
Moments
Effect
Take
Everyday
Theatrical
Feel
Photography
Combined
Feels
Outside
Revelation
Something
Effects
Irrational

More quotes by Gregory Crewdson

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The whole reason I make these pictures is for those moments of clarity. For that single moment, everything seems to make sense in my world. And I think we all look for that in our lives, because our lives are generally filled with chaos and confusion and disorder and complication.
Gregory Crewdson
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We all strive to find moments of clarity, of order.
Gregory Crewdson
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You have this ambition to make something perfect, exactly right. Of course, necessarily, it fails in some way and you have to accept that for what it is, and then you're on to the next thing.
Gregory Crewdson
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I want to privilege the moment.
Gregory Crewdson
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My mom just recently reminded me that I used to build these little miniature worlds outside at our country house and populate it with little figures.That whole thing [shooting is] about trying to create a world - there's something very connected to childhood and reverie and daydreaming and fantasy.
Gregory Crewdson
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If my pictures are about anything at all, I think it's about trying to make a connection in the world. I see them as more optimistic in a certain way. Even though it's very clear there's a level of sadness and disconnection, I think that they're really about trying to make a connection and almost the impossibility of doing so.
Gregory Crewdson
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I really love that dynamic between beauty and sadness...theres always these moments of quiet alienation, the sense of disconnect, but also, these moments of possibility.
Gregory Crewdson
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I'm very moved by the fact that people are drawn into the pictures and that they do bring their own history and their own interpretation to the photograph. I think that's why they work in a certain way.
Gregory Crewdson
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I have always been fascinated by the poetic condition of twilight. By its transformative quality. Its power of turning the ordinary into something magical and otherworldly. My wish is for the narrative in the pictures to work within that circumstance. It is that sense of in-between-ness that interests me.
Gregory Crewdson
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All my pictures are very voyeuristic, but ultimately I'm looking at what lurks in my own interior. I make photographs because I want to answer the question of what propels me to do the things that I do. But that always remains a mystery.
Gregory Crewdson
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My pictures must first be beautiful, but that beauty is not enough. I strive to convey an underlying edge of anxiety, of isolation, of fear.
Gregory Crewdson
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It's about finding meaning through light. I'm always interested in tensions. A primary one is the collision between the familiar and the strange.
Gregory Crewdson
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The viewer is more likely to project their own narrative onto the picture.
Gregory Crewdson
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I'm not that particularly talented in terms of making anything or - I'm not technically efficient. I certainly don't know how to draw very well or paint, and I'm not good with computers. But I think the thing that I'm good at is willing something into life, no matter what. I do what it takes to get it done.
Gregory Crewdson
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Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
Gregory Crewdson
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I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.
Gregory Crewdson
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Since a photograph is frozen and mute, since there is no before and after, I don't want there to be a conscious awareness of any kind of literal narrative. And that's why I really try not to pump up motivation or plot or anything like that.
Gregory Crewdson
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There's a parallel between me going through these enormous efforts to try to make a moment that means something - and in a way, the figures are doing the same thing. There is that parallel, for sure.
Gregory Crewdson
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I think that's the nature of representation. No matter what it will disappoint, it will fail in some way.But that's also part of the magic of art. If every picture met my expectation in exactly the right way, there'd be no mystery there'd be no gap between what's in my head and the picture I make.
Gregory Crewdson
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It is really important to have an obsessive need to construct something, to understand something from your own experience.
Gregory Crewdson