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Stationery is addictive. I get mine made in Paris at Benetton, and writing on it gives me a strange thrill.
Graydon Carter
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Graydon Carter
Age: 75
Born: 1949
Born: July 14
Actor
Editor
Journalist
Writer
City of Toronto
Edward Graydon Carter
Made
Thrill
Paris
Mines
Mine
Gives
Strange
Giving
Stationery
Writing
Addictive
More quotes by Graydon Carter
I have always thought you could take the measure of a man by his sports manners - that is to say, the way in which he conducts himself on the playing field, or even over a game of chess or cards.
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As a father of five, I sometimes feel I've spent a lifetime watching Disney musicals.
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Conservatives define themselves more by their hatred of liberals than anything else, and, conversely, liberals by their distaste for conservatives.
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Everything I love about America is fragile.
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As you get older and fatter, good clothes can hide a lot.
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People think they have to be ambitious. But at a certain age, all you want is to be around nice, decent people.
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Financial institutions like to call what they do trading. Let's be honest. It's not trading it's betting.
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Many of the architects of the Vietnam War became near pariahs as they spent the remainder of their lives in the futile quest to explain away their decisions at the time.
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Former vice president Al Gore has devoted his post-administration years to a mission to tell the world about global warming. It's funny, but in his civilian life Gore has discovered the voice that voters had trouble hearing when he ran for president in 2000. The voice he has found is clear, impassioned, and moving.
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I don't do any research. It's all about gut. Editing - it's always about gut.
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It could safely be said that Iraqis are dying at a faster clip since the American-led invasion and occupation than they did during the last decade of Saddam Hussein's rule.
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In an age when all that was old seems new again, Bernard DeVoto's The Hour couldn't have made a more timely reappearance. This book reminds me of one of the joys of being an adult-cocktail hour!
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Take a random selection of photographs of America in 2012 and 2002 and 1992 and, except for the skinny jeans and the porkpie hats, you'll be hard-pressed to tell the years in which the pictures were taken.
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After the collapse of Wall Street in the 1920s, the culture stopped being all about money, and the country survived and ultimately flourished.
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I walk down the street and people don't go, 'my God, there he is.' I lead as normal a life as you can lead in New York City.
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Memory is often - perhaps usually - a distorting lens: what we think we remember isn't the way it was at all. It's what we'd like to remember.
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I think being Canadian helps you as a journalist in America, because you're sort of on the outside watching this big party going on, and you're sort of taking mental notes as it goes on. I think if you're in the party the whole time, you don't notice it as much. And I think Canadians are very good observers of American culture.
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There are similarities between being an editor and a tailor. Tailors have a vast supply of fabrics, buttons and thread at their disposal and put it together to make a whole. That's what an editor does - looks at society at a given time and pulls together the interesting aspects into a single issue each month.
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Life is all about seating and lighting.
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There aren't any looks or customs I wish would come back. Today almost anything goes. Culture constantly devours the past so there's not much that's missing.
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