Quote

I was always interested in myths growing up. So, first I got into some Roman myths, then I was interested in Norse, then Celtic, then I started spreading to all the other mythologies.

Grant Morrison

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Grant Morrison
Age: 64
Born: 1960
Born: January 31
Comic Book Writer
Comics Writer
Executive Producer
Playwright
Science Fiction Writer
Writer
Glasgow
Scotland
Started
Mythologies
Growing
Celtic
Firsts
Spreading
First
Myths
Always
Roman
Mythology
Myth
Interested
Norse

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We're the new power, come to replace the old. Cameras in the head, children with microchips, spin doctors rewriting reality as it happens.
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I do like to keep abreast of what the hardcore vocal members of the comics-reading audience are talking about on Internet message boards, but there are so few of them, as a percentage of the buying audience, that I can't allow their opinions to dictate story direction.
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The big problem is time. I don't have enough of it to do all the things I think about doing.
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Talking to oneself, I have often thought, is the best way to be sure of intelligent and witty conversation.
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The world gets more like Disneyland every day, and it's the same the other way round. I can't explain what I know. Try explaining RED to a DOG and see how fast he gets bored.
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The perfect fascist state needs to operate in conditions of perpetual warfare. Have you ever noticed how the world has been in constant crisis since World War II?
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Your character that you create in your writing not only represents who you are, but also represents a number of people who you've met along the way.
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I think the only way you can get something out is to invest some real emotion into it, which means you're already writing about what's going to happen to you, whether you know it or not. That's why I'm always surprised when people talk about writer's block. Because to me, it can't be stopped.
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The only time I ever met a character that I wrote was when I met Ian McKellan, when he was playing Magneto in the 'X-Men' movies.
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Who needs girls when you've got comics?
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I prefer working out of strict continuity, because no normal human being can have a firm grip on the constantly shifting bardo-like territory of a comics universe, where entire histories can be erased by a strong enough super-sneeze.
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Afraid? Batman's not afraid of anything. It's me. I'm afraid. I'm afraid that The Joker may be right about me. Sometimes…I question the rationality of my actions. And I’m afraid that when I walk through those asylum gates... when I walk into Arkham and the doors close behind me... it’ll be just like coming home.
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It's salt. Why don't you sprinkle some on me, honey? Aren't I just good enough to eat?
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If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it's only in the same way a fish lacks a sense of the ocean.
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I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste.
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I write constantly, so it flows from one project to the next, and I would edit everything endlessly if I had the chance. I can always see ways to improve what I've done. At the same time, knowing it's all an ongoing life's work allows me to be less precious about blind alleys, failed experiments, and misfires.
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Unlike novel characters, comic book characters last an eternity. When a character is changed beyond recognition, there's no longer the merchandising aspect.
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We love our superheroes because they refuse to give up on us. We can analyze them out of existence, kill them, ban them, mock them, and still they return, patiently reminding us of who we are and what we wish we could be.
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Why am I in Hell? It hurts. It hurts all the time. Why am I in Hell? I just want to go home and lie on the bed the way I used to. Please take me home.
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I'm a fan myself, so I try to write the kind of comics I want to read.
Grant Morrison