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Why am I in Hell? It hurts. It hurts all the time. Why am I in Hell? I just want to go home and lie on the bed the way I used to. Please take me home.
Grant Morrison
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Grant Morrison
Age: 64
Born: 1960
Born: January 31
Comic Book Writer
Comics Writer
Executive Producer
Playwright
Science Fiction Writer
Writer
Glasgow
Scotland
Hurt
Lying
Used
Home
Take
Hurts
Way
Bed
Time
Please
Hell
More quotes by Grant Morrison
Abandon the 'I', because it's a lie.
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Reality and unreality have no clear distinction in our present circumstances.
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Hell changes constantly but there are certain consistent landmarks which always stay in the same relation to one another.
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And I ask him why he cuts his arms with a razor. Just fo feel. Just to feel something.
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I tend to only read comics written by friends or people I've known. And I'm not a great comic reader.
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It’s mostly just you have to convince yourself that there’s nothing else in the room but John Lennon and suddenly things start John Lennon-ing!
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The world gets more like Disneyland every day, and it's the same the other way round. I can't explain what I know. Try explaining RED to a DOG and see how fast he gets bored.
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There's a palace in your head, boy. Learn to live in it always.
Grant Morrison
We love our superheroes because they refuse to give up on us. We can analyze them out of existence, kill them, ban them, mock them, and still they return, patiently reminding us of who we are and what we wish we could be.
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I think any writer coming on to Batman should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.
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I love 'Batman.' I love the Adam West 'Batman.' I love the animated 'Batman.' The character of Batman can encompass any interpretation, which is what makes that character so brilliant and why it's survived so many different media.
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From now on, I'm opting for ontological terrorism.
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Everyone does magic all the time in different ways. Life plus significance = magic.
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The moon is so beautiful. It's a big silver dollar, flipped by God. And it landed scarred side up, see? So He made the world.
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I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste.
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We've always known we'd eventually be called upon to open our shirts and save the day, and the superhero was a crude, hopeful attempt to talk about how we all might feel on that day of great power, and great responsibility.
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Writers and artists build by hand little worlds that they hope might effect change in real minds, in the real world where stories are read. A story can make us cry and laugh, break our hearts, or make us angry enough to change the world.
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I'm a fan myself, so I try to write the kind of comics I want to read.
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Your character that you create in your writing not only represents who you are, but also represents a number of people who you've met along the way.
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I prefer working out of strict continuity, because no normal human being can have a firm grip on the constantly shifting bardo-like territory of a comics universe, where entire histories can be erased by a strong enough super-sneeze.
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