Quote

These characters were like twelve-bar blues or other chord progressions. Given the basic parameters of Batman, different creators could play very different music.

Grant Morrison

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Grant Morrison
Age: 64
Born: 1960
Born: January 31
Comic Book Writer
Comics Writer
Executive Producer
Playwright
Science Fiction Writer
Writer
Glasgow
Scotland
Play
Twelve
Progressions
Different
Bars
Chord
Like
Creator
Parameters
Basic
Creators
Characters
Batman
Given
Progression
Character
Chords
Music
Blues

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Hell changes constantly but there are certain consistent landmarks which always stay in the same relation to one another.
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I can always see ways to improve what I've done. At the same time, knowing it's all an ongoing life's work allows me to be less precious about blind alleys, failed experiments, and misfires.
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I write every day, for most of the day, so it's just about turning into metaphor whatever's going on in my life, in the world, and in my head. Every nightmare, every moment of grief or joy or failure, is a moment I can convert into cash via words. I use everything. Turning life into stories is how I make sense of my experience.
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If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it's only in the same way a fish lacks a sense of the ocean.
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Abandon the 'I', because it's a lie.
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The moon is so beautiful. It's a big silver dollar, flipped by God. And it landed scarred side up, see? So He made the world.
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Sometimes... sometimes I think the Asylum is a head. We're inside a huge head that dreams us all into being. Perhaps it's your head, Batman. Arkham is a looking glass... and we are you.
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X-Men is not a story about superheroes, but a story about the ongoing revolutionary struggle between good/new and bad/old. The X-Men are every rebel teenager wanting to change the world and make it better. Humanity is every adult, clinging to the past, trying to destroy the future even as he places all his hopes there.
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I was a clubber in the Nineties. I went dancing every week.
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I write constantly, so it flows from one project to the next, and I would edit everything endlessly if I had the chance. I can always see ways to improve what I've done. At the same time, knowing it's all an ongoing life's work allows me to be less precious about blind alleys, failed experiments, and misfires.
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I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies.
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I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste.
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Laugh and the world laughs with you!
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When [Wonder Woman creator William Moulton] Marston died in 1947, they got rid of the pervy elements, and instantly sales plummeted. Wonder Woman should be the most sexually attractive, intelligent, potent woman you can imagine. Instead she became this weird cross between the Virgin Mary and Mary Tyler Moore that didn't even appeal to girls.
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We love our superheroes because they refuse to give up on us. We can analyze them out of existence, kill them, ban them, mock them, and still they return, patiently reminding us of who we are and what we wish we could be.
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The only time I ever met a character that I wrote was when I met Ian McKellan, when he was playing Magneto in the 'X-Men' movies.
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The perfect fascist state needs to operate in conditions of perpetual warfare. Have you ever noticed how the world has been in constant crisis since World War II?
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Look at us! Are we not proof that there is no good, no evil, no truth, no reason? Are we not proof that the universe is a drooling idiot with no fashion sense - Mr Nobody on the fundamental philosophy of the Brotherhood of DADA
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All I know is that you won't come back until they're all dead. 'Eternity.' Every last one of them. Every man. Every woman. Every child. Global massacre. I dream about that day. A planet of corpses
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I think the only way you can get something out is to invest some real emotion into it, which means you're already writing about what's going to happen to you, whether you know it or not. That's why I'm always surprised when people talk about writer's block. Because to me, it can't be stopped.
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