If I couldn't get published tomorrow I'd still be writing. It's something to do with feeling so overwhelmed by this experience of life that you have to tell someone about it, and in a way that reorders the experience to make it manageable.

I've been a professional writer for 20 years, and there are contours in that time, crescents and troughs.

The modern superstition is that we're free of superstition.

Every day the eye is subject to a thousand tiny shocks as a thousand industries compete for the eye-kick, the visual hook that will lock the consumer into product for that crucial second where the tiny - or not so tiny - leap of the imagination is made.

The mist hung in the air like a prancing unicorn.

It's just that to a lot of British people George Bush represents the worst of all things American. He's the right-wing Christian crusader, the toxic Texan who refused Kyoto, the poll-cheat eel who undermined democracy on the back of something called 'chads,' a notion we've never entirely grasped.

The trouble with forgiveness is that some people don't want to be forgiven.

Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.

Perhaps living souls had greater phantom powers than the dead.

What I mean is this: you meet someone, you think about them. You're already changing because of the way you think about them. You meet them again, you think about them some more, you're changing again. And on it goes. You are changing right now. Before my eyes.

The poetry and transgression that was so much of surrealism's anarchic force has been recruited into mainstream culture. It has been made commonplace by television and magazine merchandising, by computer games and Internet visuals, by film and MTV, by the fashion shoot.

Some people feed you with love.

The overintellectualization of surrealism can be a bromide. A dream interpreted is a deflated dream.

I have to get out once a week and speak with people or I start thinking I'm the emperor of Abyssinia.

Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.

The blood in my veins is frozen but it sings of love.

Why can’t our job here on earth be simply to inspire each other?

Rome is a place almost worn out by being looked at, a city collapsing under the weight of reference.