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The mighty and supreme Jesus, who was to transfigure all humanity by his divine wit and grace-this Jesus has flown.

Goldwin Smith

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Goldwin Smith
Age: 86 †
Born: 1823
Born: August 13
Died: 1910
Died: June 7
Historian
Journalist
Pamphleteer
University Teacher
Atheism
Divine
Grace
Humanity
Transfigure
Jesus
Flown
Mighty
Wit
Supreme

More quotes by Goldwin Smith

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There is a spell in mediaeval Art which has had power to bewitch some people into trying, or wishing to try, or fancying that they wish to try or making believe to fancy that they wish to try, to bring back the Middle Ages.
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Every one who has a heart, however ignorant of architecture he may be, feels the transcendent beauty and poetry of the mediaeval churches.
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Never had there been such an attempt to make conquest the servant of civilization. About keeping India there is no question. England has a real duty there.
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In my youth,geology was nervously striving to accommodate itself to Genesis. Now it is Genesis that is striving to accommodate itself to geology.
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Art is expression, and to have high expression you must have something high to express.
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Ottawa - a sub-arctic lumber-village converted by royal mandate into a political cockpit.
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We Jews regard our race as superior to all humanity, and look forward, not to its ultimate union with other races, but to its triumph over them.
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America is supposed to be given over to ugliness. There are a good many ugly things there and the ugliest are the most pretentious.
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Yet for my part, deeply as I am moved by the religious architecture of the Middle Ages, I cannot honestly say that I ever felt the slightest emotion in any modern Gothic church.
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It is evident that in the period designated as that of the kings, when Rome commenced her career of conquest, she was, for that time and country, a great and wealthy city.
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As to London we must console ourselves with the thought that if life outside is less poetic than it was in the days of old, inwardly its poetry is much deeper.
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Ancient history, besides the still unequalled excellence of the writers, is the best instrument for cultivating the historical sense.
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There are the manufacturing multitudes of England they must have work, and find markets for their work if machines and the Black Country are ugly, famine would be uglier still.
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The novelist must look on humanity without partiality or prejudice. His sympathy, like that of the historian, must be unbounded, and untainted by sect or party.
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