I was making a film called The White Tower at the foot of Mont Blanc - the one thing I learned from that experience was that it's more difficult to go down a mountain than to go up. A lot of people don't realize that.

I dont know how it is now but the assistant stage manager had to understudy several parts. You had to be ready to go on at any time if the actor couldnt make it to the play. I didnt think anything of it.

I suddenly realized that the fellow who didn't show up was getting about fifty-times more money than I was getting. So I thought, 'this is silly,' and became an actor. I certainly never thought I'd wind up in motion pictures. That was far beyond anything I'd ever dreamed of.

I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.

I've never played anyone but myself on screen.

Some actors count their lines as soon as they receive a script. I'm the opposite. I try to see how many lines I can whittle down. You can say just as much in 4 as you can in 14.

Never give up. Take what life throws at you and throw it right back. If life keeps throwing then you have a tennis match going. Learn to like tennis.

It feels good. It feels real good.

You have to do what you fear, otherwise fear is in charge.

It really doesn't matter whether it's the villain or the hero. Sometimes the villain is the most colorful. But I prefer a part where you don't know what he is until the end.

We have allowed corporations to decide the fate of the cities. We hardly speak of democratic development.