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It always amazes me to think that every house on every street is full of so many stories so many triumphs and tragedies, and all we see are yards and driveways.

Glenn Close

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Glenn Close
Age: 77
Born: 1947
Born: March 19
Actor
Film Actor
Film Actress
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Greenwich
Connecticut
Always
Tragedy
Think
Street
Pisces
Thinking
Streets
Amazes
Full
Driveway
House
Triumphs
Stories
Tragedies
Many
Yards
Every
Triumph

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What mental health needs is more sunlight, more candor, more unashamed conversation.
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I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.
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I don't have the body or the face for romantic comedies, so I've never been offered those. The challenge is that a lot of people see you only as your last character, so you're constantly competing with whatever your last movie was.
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When you learn how much bycatch comes from shrimp [and how destructive it is] - I'm not going to eat shrimp anymore.
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As far as the difference for me between television and movies, I really thrill to the pace of television. As exhausting as it can be - there was actually one day when we never went to bed.
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And the writers are good in that it's easy to memorize, and good writing has an innate rhythm to it. And I've always felt that it's easier to get in your head than writing that has very kind of mind busting moments.
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I love histories. I love learning. I love books that talk about people who made a real impact on history, because it always has to do with who they were at that time and what their personalities were like and what their strengths and weaknesses were.
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Taking power away from a man is a dangerous thing. Someone always pays.
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I've been sacrificing my life for my work for 30 years, and now I want it the other way around. I want to find work that fits into my life and that would be based here.
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And when you're with a great crew like we had, it becomes a thrilling, again, collaboration, which is to me one of the great aspects of the process that you go through. I find myself at this point in my career, getting potentially, incredibly bored if I stand around a lot, so that's why I really like the pace of television.
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We have to be vulnerable as actors, but we have to protect ourselves.
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I really hope it engenders a lot of conversation because I believe there are a lot of people who put on faces. We all do it, every time we walk out the door. And there are a lot of people who have to hide who they are. And I think this story speaks to that.
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When they tested Fatal Attraction, the audiences were so upset by her behavior, they literally demanded her blood.
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People think that the ocean is big enough to sustain anything we throw at it - its hard to get into your head that it's actually finite.
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The word diva has a negative connotation.
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When you're on the set, and sometimes, because it's been so complex and the writers have been really writing, sometimes up until the last minute... And you kind of sit back you separate yourself from your brain, and you say, let me see if you can do this. And that's the kind of challenge I like.
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I think the diva is kind of a cliche. My definition of a diva is somebody whose talent does not match what they're trying to play, so all this temperament comes out.
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We were fortunate enough to have several good books detailing the camps and the women. Some were by the survivors. I also got to talk to some of the women who had been in the camp, survivors.
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Acting, to me, is about the incredible adventure of examining the landscape of human heart and soul. That's basically what we do.
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I think there's something thrilling about going into a movie house and seeing everything on such a huge screen. I think we're in a culture now that is confronted with various sizes of screens, the biggest movie houses and then the smallest iPods.
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