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It's weird for me when someone asks me to do a remix as Girl Talk and not use samples.

Girl Talk

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Girl Talk
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I wasn't trying to make a following. I was just trying to make interesting music. That's not being modest, that's just being realistic.
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I always like the people who keep moving forward, but kind of stay in their own lane.
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I didn't change much in terms of my setup or how I was making my music. It's evolved to this point where I think people look at it as one big traveling party.
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I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
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I think there's always room to grow.
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The music is in no way politically based - I'm not trying to make a point about sampling. It may bring up issues but I'm not trying to push it on anyone.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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The whole point of doing the pay what you want is to be reasonable with the fans.
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When I'm performing, this is what everything builds up to, and everything has allowed me to be here.
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I think we're approaching an era where there's a consistent dialogue going on between artists and consumers. And I think that's going to be part of the solution to actually selling music.
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The point of making records for me isn't to hear 300 songs in 50 minutes it's to hear the 50-minute piece of music.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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Sharing information, art, music, and everything on the internet now has become a part of everyone's lives.
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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
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I've been cataloguing samples for years, I have this massive library. Songs come out everyday so it's never ending.
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I have my small little cult following, I play random shows from house parties to opening up for rock bands.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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You can feel a little vulnerable when you see people tearing you apart on the internet or saying, It's the end of music. This guy is a total hack. I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
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Samples are kind of my instrument of choice.
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I make a living off of playing shows the albums only make me a fraction of what I make off of shows, especially since I'm doing around 100 shows a year.
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