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Samples are kind of my instrument of choice.

Girl Talk

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Girl Talk
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More quotes by Girl Talk

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In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
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It's weird for me when someone asks me to do a remix as Girl Talk and not use samples.
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Anytime there is any lyrical meaning or combination in my mixes, it's very blatant. I'm not trying to make any statement or anything like that.
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When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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When I'm performing, this is what everything builds up to, and everything has allowed me to be here.
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The whole point of doing the pay what you want is to be reasonable with the fans.
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I didn't change much in terms of my setup or how I was making my music. It's evolved to this point where I think people look at it as one big traveling party.
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The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.
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It's easy to hate on things that are close to your world that aren't exactly what you're doing.
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I make a living off of playing shows the albums only make me a fraction of what I make off of shows, especially since I'm doing around 100 shows a year.
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I'm interested in branching out and seeing where my music goes.
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As the times are changing, you don't hear as many sample issues with rap artists. Part of that has to do with production styles these days, but the nature of copyright is also changing as the internet becomes more of a giant.
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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
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Sometimes the show needs that kick in the ass so being able to sing a Nirvana song kind of takes it there. I've grown up putting on extravagant shows with Girl Talk so when I'm playing I like to go nuts. After 30 minutes of pointing and clicking it's nice to scream into a microphone for three minutes.
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I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
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I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.
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The point of making records for me isn't to hear 300 songs in 50 minutes it's to hear the 50-minute piece of music.
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My start came with experimental musicians and live bands. I never played with DJ's because it wasn't really the correct fit. It fit in more with someone using a laptop to create their own electronic music. When you're doing music like that, it's hard to get more than 20 people to come to your show.
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I wasn't trying to make a following. I was just trying to make interesting music. That's not being modest, that's just being realistic.
Girl Talk