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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.

Girl Talk

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Girl Talk
Thinking
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Caring
Sometimes
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Sharing information, art, music, and everything on the internet now has become a part of everyone's lives.
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I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
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I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.
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I think collaborating with a DJ could be interesting musically and it's something that I'd like to get into down the road, but I think on the live show tip I'm sticking to my guns for right now.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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I wasn't trying to make a following. I was just trying to make interesting music. That's not being modest, that's just being realistic.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
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KRS-One is one of my favorite rappers ever. I actually don't even know why I have this on my computer, but I do. I really like this album, Criminal Minded.
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My dad's been one of those dads who loves showing newspaper articles to the neighbors.
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When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
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The goal of the work is always for it to come across as original material, as transformative material.
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I like to use recognizable songs, but other than that, this song would be perfect.
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It's weird for me when someone asks me to do a remix as Girl Talk and not use samples.
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I think there's always room to grow.
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I love getting out there and traveling and doing shows and all of that. But when I can be home, it's a special time.
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When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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