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It's easy to hate on things that are close to your world that aren't exactly what you're doing.

Girl Talk

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More quotes by Girl Talk

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KRS-One is one of my favorite rappers ever. I actually don't even know why I have this on my computer, but I do. I really like this album, Criminal Minded.
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Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
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I'd been to a lot of shows and I was just tired of people being jaded about music in general. Just a lot of pretensions, a lot of the attitude that goes along with it was a little difficult for me to deal with.
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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
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I'm interested in branching out and seeing where my music goes.
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I think collaborating with a DJ could be interesting musically and it's something that I'd like to get into down the road, but I think on the live show tip I'm sticking to my guns for right now.
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I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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Me and my friends would drive for eight hours to play for twenty people. That was cool, and if a couple of people bought t-shirts, that would be the greatest thing. We could go eat some hamburgers that night.
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I've grown up playing pop music for the experimental crowd and I always feel like I'm pushing something weird on people. I had this underdog feeling. It's crazy that all of a sudden I'm the overhyped band you read about on the blogs.
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I wanted to make experimental music out of pop.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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Sharing information, art, music, and everything on the internet now has become a part of everyone's lives.
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I am always excited for gaps of time where I can actually hang out with my friends.
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I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
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In 2008 it's easy to get huge before you have an album out with the Internet. I think that's great and you see a lot of artists like that. It seems like it's becoming rarer to find a band that has been touring for six years, doing small shows and then breaking out.
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I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
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I'm trying to separate myself from other people by having songs that would be considered - technically - original things. I don't seek out mashups. I'm associated with the whole mashup movement, and it's too bad because I'm not a huge fan of them.
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I didn't change much in terms of my setup or how I was making my music. It's evolved to this point where I think people look at it as one big traveling party.
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The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.
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