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The whole point of doing the pay what you want is to be reasonable with the fans.

Girl Talk

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Girl Talk
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When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
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I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.
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You can feel a little vulnerable when you see people tearing you apart on the internet or saying, It's the end of music. This guy is a total hack. I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
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I hear something I like, and sometimes, I think it's gonna work, and I will cut it up, try it out, try to work with other material. Sometimes, it falls flat, and other times, it works out, so in that way, I'm constantly listening to music because I enjoy it.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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Me and my friends would drive for eight hours to play for twenty people. That was cool, and if a couple of people bought t-shirts, that would be the greatest thing. We could go eat some hamburgers that night.
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The point has always been to make music, it's not like I've always been running a giant money making scheme.
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It's easy to hate on things that are close to your world that aren't exactly what you're doing.
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Samples are kind of my instrument of choice.
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I think there's always room to grow.
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I feel like all the artists that I really love, they've had a strong contingent of people who really hate their work as well.
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