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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.

Girl Talk

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Girl Talk
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When I would play pop music at underground shows, it was offensive to some people. I wasn't doing it to piss people off: I just didn't believe in those strong divisions that you're supposed to listen to this or that.
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I've always enjoyed taking pre-existing sound, songs I like, songs I want to share, and manipulating them and trying to do my own version. So just knowing there's that potential for that thing out there that I haven't discovered yet, really gets me motivated every day.
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I'd been to a lot of shows and I was just tired of people being jaded about music in general. Just a lot of pretensions, a lot of the attitude that goes along with it was a little difficult for me to deal with.
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In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
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I've grown up playing pop music for the experimental crowd and I always feel like I'm pushing something weird on people. I had this underdog feeling. It's crazy that all of a sudden I'm the overhyped band you read about on the blogs.
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Anytime there is any lyrical meaning or combination in my mixes, it's very blatant. I'm not trying to make any statement or anything like that.
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When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
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I love getting out there and traveling and doing shows and all of that. But when I can be home, it's a special time.
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It's hard to play a laptop in the midst of band and have people want to buy your t-shirts and CD's.
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The point has always been to make music, it's not like I've always been running a giant money making scheme.
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I am always excited for gaps of time where I can actually hang out with my friends.
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I've been cataloguing samples for years, I have this massive library. Songs come out everyday so it's never ending.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
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I have my small little cult following, I play random shows from house parties to opening up for rock bands.
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I use minimal software to make my music - a wav editor and a calculator for my beats to make sure everything falls on mathematical precision. If you were just mapping this out visually, it works by math. I guess it's slightly engineering influenced.
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I make a living off of playing shows the albums only make me a fraction of what I make off of shows, especially since I'm doing around 100 shows a year.
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I hear something I like, and sometimes, I think it's gonna work, and I will cut it up, try it out, try to work with other material. Sometimes, it falls flat, and other times, it works out, so in that way, I'm constantly listening to music because I enjoy it.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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That's kind of a nostalgia thing. Nirvana was my first favorite band, in third or fourth grade. Then I got out of them. But one day in college a few buddies and myself all started listening to them again and it blew me away. They still stand out as my favorite band ever.
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