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Me and my friends would drive for eight hours to play for twenty people. That was cool, and if a couple of people bought t-shirts, that would be the greatest thing. We could go eat some hamburgers that night.
Girl Talk
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More quotes by Girl Talk
Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
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I use minimal software to make my music - a wav editor and a calculator for my beats to make sure everything falls on mathematical precision. If you were just mapping this out visually, it works by math. I guess it's slightly engineering influenced.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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I'm trying to separate myself from other people by having songs that would be considered - technically - original things. I don't seek out mashups. I'm associated with the whole mashup movement, and it's too bad because I'm not a huge fan of them.
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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
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When I would play pop music at underground shows, it was offensive to some people. I wasn't doing it to piss people off: I just didn't believe in those strong divisions that you're supposed to listen to this or that.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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As the times are changing, you don't hear as many sample issues with rap artists. Part of that has to do with production styles these days, but the nature of copyright is also changing as the internet becomes more of a giant.
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I didn't change much in terms of my setup or how I was making my music. It's evolved to this point where I think people look at it as one big traveling party.
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You can feel a little vulnerable when you see people tearing you apart on the internet or saying, It's the end of music. This guy is a total hack. I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
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My start came with experimental musicians and live bands. I never played with DJ's because it wasn't really the correct fit. It fit in more with someone using a laptop to create their own electronic music. When you're doing music like that, it's hard to get more than 20 people to come to your show.
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The point has always been to make music, it's not like I've always been running a giant money making scheme.
Girl Talk
I'd been to a lot of shows and I was just tired of people being jaded about music in general. Just a lot of pretensions, a lot of the attitude that goes along with it was a little difficult for me to deal with.
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The music is in no way politically based - I'm not trying to make a point about sampling. It may bring up issues but I'm not trying to push it on anyone.
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I think we're approaching an era where there's a consistent dialogue going on between artists and consumers. And I think that's going to be part of the solution to actually selling music.
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Anytime there is any lyrical meaning or combination in my mixes, it's very blatant. I'm not trying to make any statement or anything like that.
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I love getting out there and traveling and doing shows and all of that. But when I can be home, it's a special time.
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That's kind of a nostalgia thing. Nirvana was my first favorite band, in third or fourth grade. Then I got out of them. But one day in college a few buddies and myself all started listening to them again and it blew me away. They still stand out as my favorite band ever.
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When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
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I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
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