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I wanted to make experimental music out of pop.

Girl Talk

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Girl Talk
Experimental
Pops
Music
Wanted
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I have my small little cult following, I play random shows from house parties to opening up for rock bands.
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Samples are kind of my instrument of choice.
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I think it's an interesting thing to have to produce an album that you'll want to listen to for 50 minutes.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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The music is in no way politically based - I'm not trying to make a point about sampling. It may bring up issues but I'm not trying to push it on anyone.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
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A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes it just keeps going.
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The whole point of doing the pay what you want is to be reasonable with the fans.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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I am always excited for gaps of time where I can actually hang out with my friends.
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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
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It's hard to play a laptop in the midst of band and have people want to buy your t-shirts and CD's.
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I think collaborating with a DJ could be interesting musically and it's something that I'd like to get into down the road, but I think on the live show tip I'm sticking to my guns for right now.
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I can't edit live as meticulously as I can for an album.
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When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
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When I'm performing, this is what everything builds up to, and everything has allowed me to be here.
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You can feel a little vulnerable when you see people tearing you apart on the internet or saying, It's the end of music. This guy is a total hack. I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
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The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.
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I didn't change much in terms of my setup or how I was making my music. It's evolved to this point where I think people look at it as one big traveling party.
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