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I wanted to make experimental music out of pop.

Girl Talk

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Girl Talk
Experimental
Pops
Music
Wanted
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I have my small little cult following, I play random shows from house parties to opening up for rock bands.
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I make a living off of playing shows the albums only make me a fraction of what I make off of shows, especially since I'm doing around 100 shows a year.
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I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.
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Me and my friends would drive for eight hours to play for twenty people. That was cool, and if a couple of people bought t-shirts, that would be the greatest thing. We could go eat some hamburgers that night.
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I wasn't trying to make a following. I was just trying to make interesting music. That's not being modest, that's just being realistic.
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I use minimal software to make my music - a wav editor and a calculator for my beats to make sure everything falls on mathematical precision. If you were just mapping this out visually, it works by math. I guess it's slightly engineering influenced.
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In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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The point of making records for me isn't to hear 300 songs in 50 minutes it's to hear the 50-minute piece of music.
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Samples are kind of my instrument of choice.
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In the past, hearing music had more value.
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Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
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The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.
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I think there's always room to grow.
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I hear something I like, and sometimes, I think it's gonna work, and I will cut it up, try it out, try to work with other material. Sometimes, it falls flat, and other times, it works out, so in that way, I'm constantly listening to music because I enjoy it.
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I always like the people who keep moving forward, but kind of stay in their own lane.
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I was a jaded high schooler, I was still into pop music, though not as sincerely as I am now. It was more tongue-in-cheek back then.
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The goal of the work is always for it to come across as original material, as transformative material.
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I've grown up playing pop music for the experimental crowd and I always feel like I'm pushing something weird on people. I had this underdog feeling. It's crazy that all of a sudden I'm the overhyped band you read about on the blogs.
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It's hard to play a laptop in the midst of band and have people want to buy your t-shirts and CD's.
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