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I wanted to make experimental music out of pop.

Girl Talk

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Girl Talk
Experimental
Pops
Music
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More quotes by Girl Talk

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I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
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I've been cataloguing samples for years, I have this massive library. Songs come out everyday so it's never ending.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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Me and my friends would drive for eight hours to play for twenty people. That was cool, and if a couple of people bought t-shirts, that would be the greatest thing. We could go eat some hamburgers that night.
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I've always enjoyed taking pre-existing sound, songs I like, songs I want to share, and manipulating them and trying to do my own version. So just knowing there's that potential for that thing out there that I haven't discovered yet, really gets me motivated every day.
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I didn't change much in terms of my setup or how I was making my music. It's evolved to this point where I think people look at it as one big traveling party.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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I love getting out there and traveling and doing shows and all of that. But when I can be home, it's a special time.
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When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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The music is in no way politically based - I'm not trying to make a point about sampling. It may bring up issues but I'm not trying to push it on anyone.
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I wasn't trying to make a following. I was just trying to make interesting music. That's not being modest, that's just being realistic.
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I think it's an interesting thing to have to produce an album that you'll want to listen to for 50 minutes.
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I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
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When I'm performing, this is what everything builds up to, and everything has allowed me to be here.
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Sharing information, art, music, and everything on the internet now has become a part of everyone's lives.
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I was a jaded high schooler, I was still into pop music, though not as sincerely as I am now. It was more tongue-in-cheek back then.
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When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
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When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
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That's kind of a nostalgia thing. Nirvana was my first favorite band, in third or fourth grade. Then I got out of them. But one day in college a few buddies and myself all started listening to them again and it blew me away. They still stand out as my favorite band ever.
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