Quote

I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.

Girl Talk

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Girl Talk
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When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.
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It's easy to hate on things that are close to your world that aren't exactly what you're doing.
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I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
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In the past, hearing music had more value.
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I am always excited for gaps of time where I can actually hang out with my friends.
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I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
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I use minimal software to make my music - a wav editor and a calculator for my beats to make sure everything falls on mathematical precision. If you were just mapping this out visually, it works by math. I guess it's slightly engineering influenced.
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I always like the people who keep moving forward, but kind of stay in their own lane.
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I like to use recognizable songs, but other than that, this song would be perfect.
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I feel like all the artists that I really love, they've had a strong contingent of people who really hate their work as well.
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A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes it just keeps going.
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I've been cataloguing samples for years, I have this massive library. Songs come out everyday so it's never ending.
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When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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Throughout hip-hop people have been putting different elements with different types of music.
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KRS-One is one of my favorite rappers ever. I actually don't even know why I have this on my computer, but I do. I really like this album, Criminal Minded.
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