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I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.

Girl Talk

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Girl Talk
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KRS-One is one of my favorite rappers ever. I actually don't even know why I have this on my computer, but I do. I really like this album, Criminal Minded.
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A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes it just keeps going.
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Samples are kind of my instrument of choice.
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I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.
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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
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You can feel a little vulnerable when you see people tearing you apart on the internet or saying, It's the end of music. This guy is a total hack. I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
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Sharing information, art, music, and everything on the internet now has become a part of everyone's lives.
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I think it's an interesting thing to have to produce an album that you'll want to listen to for 50 minutes.
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I think we're approaching an era where there's a consistent dialogue going on between artists and consumers. And I think that's going to be part of the solution to actually selling music.
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I always like the people who keep moving forward, but kind of stay in their own lane.
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I love getting out there and traveling and doing shows and all of that. But when I can be home, it's a special time.
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I think there's always room to grow.
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I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.
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Throughout hip-hop people have been putting different elements with different types of music.
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Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
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I make a living off of playing shows the albums only make me a fraction of what I make off of shows, especially since I'm doing around 100 shows a year.
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I was a jaded high schooler, I was still into pop music, though not as sincerely as I am now. It was more tongue-in-cheek back then.
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Anytime there is any lyrical meaning or combination in my mixes, it's very blatant. I'm not trying to make any statement or anything like that.
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The music is in no way politically based - I'm not trying to make a point about sampling. It may bring up issues but I'm not trying to push it on anyone.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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