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Throughout hip-hop people have been putting different elements with different types of music.

Girl Talk

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Girl Talk
People
Types
Hips
Throughout
Putting
Elements
Type
Music
Different
Hops

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The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.
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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
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That's kind of a nostalgia thing. Nirvana was my first favorite band, in third or fourth grade. Then I got out of them. But one day in college a few buddies and myself all started listening to them again and it blew me away. They still stand out as my favorite band ever.
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I have my small little cult following, I play random shows from house parties to opening up for rock bands.
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Samples are kind of my instrument of choice.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.
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As the times are changing, you don't hear as many sample issues with rap artists. Part of that has to do with production styles these days, but the nature of copyright is also changing as the internet becomes more of a giant.
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I'd been to a lot of shows and I was just tired of people being jaded about music in general. Just a lot of pretensions, a lot of the attitude that goes along with it was a little difficult for me to deal with.
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I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
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I am always excited for gaps of time where I can actually hang out with my friends.
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When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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The whole point of doing the pay what you want is to be reasonable with the fans.
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You can feel a little vulnerable when you see people tearing you apart on the internet or saying, It's the end of music. This guy is a total hack. I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
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A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes it just keeps going.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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When I would play pop music at underground shows, it was offensive to some people. I wasn't doing it to piss people off: I just didn't believe in those strong divisions that you're supposed to listen to this or that.
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The point has always been to make music, it's not like I've always been running a giant money making scheme.
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