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I have my small little cult following, I play random shows from house parties to opening up for rock bands.

Girl Talk

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Girl Talk
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Samples are kind of my instrument of choice.
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The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.
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I can't edit live as meticulously as I can for an album.
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I think we're approaching an era where there's a consistent dialogue going on between artists and consumers. And I think that's going to be part of the solution to actually selling music.
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My start came with experimental musicians and live bands. I never played with DJ's because it wasn't really the correct fit. It fit in more with someone using a laptop to create their own electronic music. When you're doing music like that, it's hard to get more than 20 people to come to your show.
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In the past, hearing music had more value.
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Throughout hip-hop people have been putting different elements with different types of music.
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When I'm performing, this is what everything builds up to, and everything has allowed me to be here.
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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
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I like to use recognizable songs, but other than that, this song would be perfect.
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I always like the people who keep moving forward, but kind of stay in their own lane.
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I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
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Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
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I wanted to make experimental music out of pop.
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In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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That's kind of a nostalgia thing. Nirvana was my first favorite band, in third or fourth grade. Then I got out of them. But one day in college a few buddies and myself all started listening to them again and it blew me away. They still stand out as my favorite band ever.
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Sharing information, art, music, and everything on the internet now has become a part of everyone's lives.
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The whole point of doing the pay what you want is to be reasonable with the fans.
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