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I think it's an interesting thing to have to produce an album that you'll want to listen to for 50 minutes.

Girl Talk

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Girl Talk
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More quotes by Girl Talk

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When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
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People see me on stage and sometimes they think, Who's this hotdog thinking that he's the best. They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
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In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
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Sometimes the show needs that kick in the ass so being able to sing a Nirvana song kind of takes it there. I've grown up putting on extravagant shows with Girl Talk so when I'm playing I like to go nuts. After 30 minutes of pointing and clicking it's nice to scream into a microphone for three minutes.
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When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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I think collaborating with a DJ could be interesting musically and it's something that I'd like to get into down the road, but I think on the live show tip I'm sticking to my guns for right now.
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I can't edit live as meticulously as I can for an album.
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I have my small little cult following, I play random shows from house parties to opening up for rock bands.
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I'm trying to separate myself from other people by having songs that would be considered - technically - original things. I don't seek out mashups. I'm associated with the whole mashup movement, and it's too bad because I'm not a huge fan of them.
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When I'm performing, this is what everything builds up to, and everything has allowed me to be here.
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Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
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A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes it just keeps going.
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I think we're approaching an era where there's a consistent dialogue going on between artists and consumers. And I think that's going to be part of the solution to actually selling music.
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Anytime there is any lyrical meaning or combination in my mixes, it's very blatant. I'm not trying to make any statement or anything like that.
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In 2008 it's easy to get huge before you have an album out with the Internet. I think that's great and you see a lot of artists like that. It seems like it's becoming rarer to find a band that has been touring for six years, doing small shows and then breaking out.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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Me and my friends would drive for eight hours to play for twenty people. That was cool, and if a couple of people bought t-shirts, that would be the greatest thing. We could go eat some hamburgers that night.
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When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
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Samples are kind of my instrument of choice.
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I was a jaded high schooler, I was still into pop music, though not as sincerely as I am now. It was more tongue-in-cheek back then.
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