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I think it's an interesting thing to have to produce an album that you'll want to listen to for 50 minutes.

Girl Talk

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Girl Talk
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I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.
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Sharing information, art, music, and everything on the internet now has become a part of everyone's lives.
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I wasn't trying to make a following. I was just trying to make interesting music. That's not being modest, that's just being realistic.
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The point of making records for me isn't to hear 300 songs in 50 minutes it's to hear the 50-minute piece of music.
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I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
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I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
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I've grown up playing pop music for the experimental crowd and I always feel like I'm pushing something weird on people. I had this underdog feeling. It's crazy that all of a sudden I'm the overhyped band you read about on the blogs.
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The whole point of doing the pay what you want is to be reasonable with the fans.
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Samples are kind of my instrument of choice.
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A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
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That's kind of a nostalgia thing. Nirvana was my first favorite band, in third or fourth grade. Then I got out of them. But one day in college a few buddies and myself all started listening to them again and it blew me away. They still stand out as my favorite band ever.
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It's weird for me when someone asks me to do a remix as Girl Talk and not use samples.
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In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
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I think collaborating with a DJ could be interesting musically and it's something that I'd like to get into down the road, but I think on the live show tip I'm sticking to my guns for right now.
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My dad's been one of those dads who loves showing newspaper articles to the neighbors.
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I'm trying to separate myself from other people by having songs that would be considered - technically - original things. I don't seek out mashups. I'm associated with the whole mashup movement, and it's too bad because I'm not a huge fan of them.
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I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.
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