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Youth culture adopts Armani and adapts it in its own way, as befits youthful enthusiasm.

Giorgio Armani

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Giorgio Armani
Age: 90
Born: 1934
Born: July 11
Entrepreneur
Fashion Designer
Youthful
Enthusiasm
Youth
Culture
Way
Befits
Adopts
Adapts
Armani

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War taught me that not everything is glamorous.
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Elegance is not catching somebody's eyes, it's staying in somebody's memory
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The goal I seek is to have people refine their style through my clothing without having them become victims of fashion.
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I've always had a great interest in sports that embody the values of commitment, hard work and teamwork - all values I strongly believe in.
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Luxury is obviously the direction that interests me the most, but there is a lot of confusion between luxury and exhibitionism. For me, the concept of luxury is more traditional, more exclusive, more sophisticated than luxury for the masses.
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That is what [Andy] Warhol portraits do: They elevate the subject into an icon of the pop culture he was documenting.
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In the beginning, I thought that women needed protection, on a style level, to have the right impact to let them realize their desire for success. Now, many years later, women no longer need a masculine uniform. Women have changed.
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When I was younger, I never laughed. I was always sour. If I look at pictures of me from the past, I never see a smile. I think it came out of my insecurity. I had a lot of complexes.
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I've always thought of the T-shirt as the Alpha and Omega of the fashion alphabet, ... The White T.
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Through fashion I have shown my interpretation of the competitive spirit by dressing sportsmen and women, choosing to work with both those who are among the world's most renowned athletes and also those who are yet to achieve fame in the arena of sport.
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I've always worked. I have always been too responsible. But I don't know how to live any other way. I think that this discipline was also demanded of me by my work.
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It would be very hard for me to do things somebody else's way.
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Technical garments for sporting performance will, I believe, simply become more and more fit for purpose and will perform better and better. What is perhaps more interesting is how this technology will cross over into the fashion mainstream. We already see this trend in everything from footwear to outerwear.
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I sensed that women wanted to be a little different. My fluidity gave them a way of interpreting their bodies in a more personal, individual way.
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I love things that age well - things that don't date, that stand the test of time and that become living examples of the absolute best.
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The difference between style and fashion is quality.
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Style is having the courage of one's choices and the courage to say no. It's good taste and culture.
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The confident artist is a fool.
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My brands all are unique in terms of their spirits, but they have the same Armani stamp. There is a level of taste which runs through every single product. Sitting side by side, they are perhaps more stimulating than they would be just on their own. It gives a new idea, a new proposal, a new perspective.
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Today, people no longer go out with a total look or ensemble taken straight from the runway. Customers mix and match between labels and between price points. The idea is to create something for yourself: what you want, and how you want it. I realize that shoppers want more flexibility and choice now.
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