I write to music, so every script I have has its own playlist. Music just opens me up to the emotions that I'm writing.

I grew up with white parents and until after college, it was a lot of confusion, especially because I grew up in an all-white area. So I never looked around and saw anyone who looked like me.

Be passionate about your [movie] material, because you're going to have to overcome a lot of No's, and it's that passion that fuels the fight.

We think of Shots Fired as almost an autopsy of Ferguson that shows the events from every street in the house. And, in dealing with these two murders of a black victim and a white victim, we show the ways that communities and the media deal with victims differently based on race.

People often ask me if I feel discriminated against as a black female director. I don't. I'm actually offered a ton of stuff. But I only want to direct what I write. And I prefer to focus on black female characters. What's most important to me is to put characters up onscreen who are not perfect, but who are human and flawed.

I write to music, and Nina Simone is always on my playlist to write to. I mean, shes inspiring. She's truthful and real and raw.

Growing up the way I did, it was tough being one of only a few black people in the town and in school. What my upbringing got me is never feeling completely safe emotionally. Never knowing when something racial was going to pop off based on how I look. So that's something I've carried with me personally and is reflected in my work.

I was so fortunate to get the opportunity to be a writers' apprentice on A Different World. It was my favorite show. So to go from watching Dwayne and Whitley to writing for Dwayne and Whitley was incredible.

That's why Serena Williams is such a hero for me, because she's got such incredible swagger, and it's earned, and she can teach us that it is a good thing. The fact that she has been denigrated and called cocky - I mean, she's the best in the world! I hope my work can inspire other women to have that swagger and believe that they can have it all.

In film school, I knew I wanted to be a director, but I found out pretty damn quickly that nobody was just going to hand me a script to direct.