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Philosophy, art, and science are not the mental objects of an objectified brain but the three aspects under which the brain becomes subject.

Gilles Deleuze

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Gilles Deleuze
Age: 70 †
Born: 1925
Born: January 18
Died: 1995
Died: November 4
Art Theorist
Historian
Journalist
Philosopher
Philosophy Historian
University Teacher
Writer
Deleuze
Zhilʹ Delëz
G. Deleuze
Subjects
Objects
Becomes
Philosophy
Objectified
Brain
Aspects
Science
Mental
Art
Subject
Three
Aspect

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Writing has nothing to do with meaning. It has to do with landsurveying and cartography, including the mapping of countries yet to come.
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To affirm is not to bear, carry, or harness oneself to that which exists, but on the contrary to unburden, unharness, and set free that which lives.
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I believe strongly that philosophy has nothing to do with specialists.
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A tyrant institutionalises stupidity, but he is the first servant of his own system and the first to be installed within it.
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The self is only a threshold, a door, a becoming between two multiplicities
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Bring something incomprehensible into the world!
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Is it not first through the voice that one becomes animal?
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Something in the world forces us to think. This something is an object not of recognition but of a fundamental encounter.
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Philosophy is not in a state of external reflection on other domains, but in a state of active and internal alliance with them, and it is neither more abstract nor more difficult.
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Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality those who are belong in special institutions. The unity of language is fundamentally political.
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The percept is the landscape before man, in the absence of man.
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Underneath all reason lies delirium and drift.
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The plane of consistency is the abolition of all metaphor all that consists is Real.
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Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility
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As for being responsible or irresponsible, we don't recognize those notions, they're for policemen and courtroom psychiatrists.
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Things never pass where you think, nor along the paths you think
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In order for music to free itself, it will have to pass over to the other side - there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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The instinct of revenge is the force which constitutes the essence of what we call psychology, history, metaphysics and morality. The spirit of revenge is the genealogical element of our thought, the transcendental principle of our way of thinking.
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