Until I did my work and I did my utmost best, I feel like I don't have a right to feel excited.

There's this feeling, when you stop believing it's a show and you're there and this is happening.

I just saw dialogue, in the audition, and had no backstory. I was like, I'm just going to be myself because I have no idea who this is or where he's coming from. The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.

It was only when I went to acting school that I was like, You are absolutely such a pigheaded freak show that you thought you, at the age of 12 or 13, could have a better understanding of Stanislavski. Why did you think that you didn't need to go to school? It was quite funny. But, I was certainly inspired.

You provide a lot of people with entertainment, and that's what will happen. I don't think you should ever feel like you're used to anything of that nature because you're no different from anyone else.

You look for the roles where, when you read it, you're just like, Yes, I know that. I know that feeling. I know what it means to feel like that. I know this person. When you have a soulful connection to a part, that's a dream come true.