Sponsors, corporate endowments, and the heritage of the big fortunes would take care of financing cultural projects when American society was homogeneous. Now it's too complex, it's a mix. Different cultures in collision. I think it starts to be necessary to have a government institution to deal with cultural affairs.

[ on the tropicalization of intellectual property laws ] To make the digital world join in the samba.

We are sufficiently conscious of this dimension or quality of Brazil as a melting pot, as a culture and a nation that is being subjected to an amalgamating process. More than just a mixing process, it is an amalgamation where the fragments, the parts in collision, really interact profoundly. They become another thing after the contact.

Like most artists and musicians, I considered myself detached from the political life. But I had an insight that maybe we would have a political contribution to make in the future.

We should also start taking care of the future, not just the heritage.

I see the future of Brazil as the future of the planet.

Brazil was, is, and will be in fashion.