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The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing
Gerry Mulligan
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Gerry Mulligan
Age: 68 †
Born: 1927
Born: April 6
Died: 1996
Died: January 19
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Music Arranger
Musician
Pianist
Recording Artist
Saxophonist
Singer
New York City
New York
Gerald J. Mulligan
Gerald Joseph Mulligan
Jeru
Composer
Especially
Tricked
Thing
Rhythmic
Kind
Composers
Symphony
Dynamic
Orchestra
Russian
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The first reason for starting to do the symphony concerts was to play this new piece of mine.
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Because if you've got the wit, you can make anything into a melody, ultimately.
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Life on the road is murder. It's as though life begins and ends when you have your horn in your mouth.
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The other saxophones, except as solo instruments, really don't have much point in the orchestra
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The baritone can serve functions that the alto and tenor cannot, in orchestral voicing
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I've always wanted a C trumpet on top, to have that same kind of facility without shouting.
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People talk about innovations and evolutions and that kind of thing I don't understand about that nonsense. It's like, all instruments are there to use all the time
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If you've only got one horn playing, I still want the sense of ensemble.
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I'm fascinated with the electronic devices that we can mess around with.
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In a way, I started out to be a baritone player.
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Then, of course, I played alto and tenor, wherever there were jobs.
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Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones
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It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.
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So I played alto for quite a while until I saved up the money for the baritone
Gerry Mulligan
